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"While brick and mortar buildings are meant to last for centuries, a digital space is refreshed 60 times every second on each visitor's device. It could change 60 times in a second." – Manuel Rossner

Manuel Rossner (b. 1989) is a German artist who has been creating digital spaces and virtual worlds since 2012. In his work, he explores how society and art are impacted by technological advancements. He is best known for his site-specific digital work. Rossner’s virtual reality drawings crash with physical buildings. His intervention focuses on the context of their location and the materiality of the digital. His digital exhibition space New Float is located on the construction site of the Museum of the 20th Century next to the Neue Nationalgalerie in Berlin.

Rossner’s work has been exhibited throughout the world, including the Grand Palais Éphémère (Paris), NTT InterCommunication Center (Tokyo), Hamburger Kunsthalle, Frankfurter Kunstverein, Staatliche Kunsthalle Baden-Baden and Kunsthalle Zürich.

Solo Exhibitions:

Unsurprisingly This is Rather Hard Work, KÖNIG GALERIE Berlin, 2021
Surprisingly This Rather Works, KÖNIG GALERIE Berlin, 2020
There’s No Feeling Where There’s No Pain, MdbK Leipzig, 2019
Ultralight Beam, 1822 Forum / Float Gallery, Frankfurt am Main, 2017

Selected Group Exhibitions:

DYOR, Kunsthalle Zürich, 2022
Nature and State, Staatliche Kunsthalle Baden-Baden, 2022
Do You Miss the Future?, Hyundai Motorstudio Busan, South Korea, 2021
Open Space: New Flatland, ICC Tokyo, 2021
Out of Space, Hamburger Kunsthalle, 2021
Un Palais Augmenté, Grand Palais, Paris, 2021
The Artist Is Online, KÖNIG GALERIE, 2021
Berlin, Augmented Berlin together with Highsnobiety, 2021
Safiental Land-Art Biennale, Schweiz, 2020
Digital Natives – Sculpture, CUBE / Roehrs & Boetsch, Zurich, 2019
Artificial Paradise? KM – Künstlerhaus Graz, 2018
Perception is Reality, Frankfurter Kunstverein, 2017
Unreal & NRW-Forum Extension Building, NRW-Forum Düsseldorf, 2017

Get in touch for additional information about available works.

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