HISTORICAL EDITIONS

LIMITED EDITION: PLOTTER DRAWINGS

UPCOMING 24-HOUR EDITION DROPS

PAST 24-HOUR EDITION DROPS

PHYGITAL EDITION

LIMITED EDITIONS

SPECIAL LIMITED EDITION | LEANDER HERZOG

48-HOUR EDITION DROP I MATEUSZ VON MOTZ 29 - 31 MARCH 6 PM CET - 6 PM CET 
Mateusz von Motz graduated from Juergen Teller's class for photography in Nuremberg. He then finished his MA in sculpture at the Royal College of Art in London. While in London, he worked as a Studio Assistant at Juergen Teller Studio. As a young Polish artist, he has already established himself in the art world with a talent for brutal beauty. His practice often explores memories, space, and deconstruction themes and combines architectural and photographic elements. In his present practice, von Motz works across various mediums, including painting, sculpture, digital technology, and installation.
ABOUT THE WORK
For his FUCK NORMAL I WANT MAGIC-series, Mateusz von Motz combines text and images on mirrors. They have already become iconic.
This strategy refers, among other cultural backgrounds and phenomena, to the digital meme culture, which ties in with the popular genres and visual strategies of gaming, comics, and advertising. The artist mixes direct address communication strategies with the mirror as a pictorial space, creating a multidimensional experience for the viewer. In this space, reality and virtuality blur together, and the subject is thrown back onto intimate, psychological levels of self-observation. Moments of introspection and transformation are presented in a multidimensional manner.
The artist incorporates Freudian (self) questioning and mythological narratives, such as that of Narcissus, to provide an ironic and empathetic commentary on an increasingly narcissistic society. This society is mirrored here in its collective numbing of the representations within social media. In this sense, von Motz ultimately confronts visitors with the choice of remaining in the dream world controlled by machines or being freed from the simulation. It is a social paradigm explored through everyday experiences and critical analysis.
CERTIFICTAE OF AUTHENTICATION
All 24-HOUR EDITION DROP editions are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.
ABOUT THE FRAME
The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 48-HOUR EDITION DROP prints are made to order. Each artwork will be produced and signed specifically for each client, the artwork therefore is not eligible for return.
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FUCK NORMAL I WANT MAGIC

29-31 MARCH | 6 PM CET

48-HOUR EDITION DROP: MATEUSZ VON MOTZ

5-6 APRIL | 6 PM CET

24-HOUR EDITION DROP: DEBORAH SEGUN

The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP will be available for 24 hours only, then never again. The 24-HOUR EDITION DROPS are numbered chronologically according to the time of receipt of the order.

MATEUSZ VON MOTZ

Option

Mateusz von Motz graduated from Juergen Teller's class for photography in Nuremberg. He then finished his MA in sculpture at the Royal College of Art in London. While in London, he worked as a Studio Assistant at Juergen Teller Studio.

His practice combines elements of photography, architecture, and painting and continuously questions and deconstructs the concept of space. Von Motz's paintings, photographs, sculptures, and installations have been exhibited globally, such as at the Palais de Tokyo Paris, the Agora Gallery in New York, and BAODT Munich.

Mateusz von Motz has recently used text and graphics to construct ironic remarks that critique modern culture and the use of social media.

24-HOUR EDITION DROP I VERA KOCHUBEY 23-24 MARCH 6 PM CET - 6 PM CET 
Vera Kochubey produces strong black and white large-scale statement paintings where words fully dominate the canvas in addition to vivid, colorful works with repeated patterns. Born in 1986 in Russia, Kochubey relocated to Berlin in 2011. Their personal artistic methods were influenced by the New York art of Warhol, Basquiat, and Haring during the 1980s. Kochubey's works are replete with autobiographical, psychedelic, and queer content. Pop expressionism, conceptual art, pop art, and art brut.
ABOUT THE WORK
“LOVE YOUR FUCKIN SELF is the essence of my life's philosophy. It’s a simple message that means the world. It’s the statement that brings you instantly to your core self. Instantly brings you integrity. A short and effective reminder of what is truly important in life. It's a unifying message for everyone—white, black, gay, or straight—without self-love, we are nothing but monsters. Every person on earth needs to fuckin love themselves. I dedicate this painting to every misfit, every weirdo, and every human.” – Vera Kochubey
CERTIFICTAE OF AUTHENTICATION
All 24-HOUR EDITION DROP editions are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.
ABOUT THE FRAME
The frame is black spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and signed specifically for each client, the artwork therefore is not eligible for return.
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LOVE YOUR FUCKIN SELF

24-HOUR EDITION DROP I JONATHAN MONAGHAN 16 FEBRUARY - 17 FEBRUARY 6 PM CET - 6 PM CET 
Jonathan Monaghan is an artist working across a range of media, including prints, sculpture and computer animated video, to produce otherworldly objects and narratives. Drawing on wide-ranging sources, such as historical artworks and science fiction, his fantastical pieces uncover subconscious anxieties associated with technology and consumerism. Past exhibitions include The Sundance Film Festival, The Walters Art Museum in Baltimore, and The Palais de Tokyo in Paris. His work has been featured in several media outlets including The New York Times, Vogue, and The Washington Post. His work sits in numerous public and private collections including The Crystal Bridges Museum of American Art and the Phillips Collection in Washington, D.C.
ABOUT THE WORK
MYSTICAL UNICORN transforms an iconic medieval tapestry of a unicorn in captivity into an otherworldly vignette. Enclosed in a ring of security checkpoints, this mythical creature is trapped by technology. Inspired by the famous series of tapestries known as the Hunt of the Unicorn, Monaghan draws from its use of pagan imagery and references. By re-imagining these ancient mythologies and symbols, Monaghan provides a modern mythical narrative for the digital age.
INDIVIDUALISATION
The artist will doodle on the print, adding in designs to the fabric buttons in ink – making each edition unique.
ABOUT THE FRAME
The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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Mystical Unicorn

24-HOUR EDITION DROP I ED BRONER 7 FEBRUARY - 8 FEBRUARY 6 PM CET - 6 PM CET 
Ed Broner is a self-taught French artist born in Paris. He began painting in the late 1980s and was a member of the Parisian graffiti subculture before relocating to Berlin to focus on painting. Ed Broner uses photos and canvases as his personal diary. Especially in his paintings, he highlights the beauty of realness and authenticity while at the same time honoring the ideas and symbols of modern urban subcultures. In his style, he combines influences from graffiti and contemporary painting as well as from Aboriginal and African art, thus opening a dialogue between "Western" and "non-Western" cultures. In reflecting on and often subversively ironizing current aesthetics, Ed Broner asks about the nature of humanity in a postmodern world. He has published the photo book "Vagabondage" (Hatje Cantz) and has exhibited his work in solo and group shows internationally, such as at the Palais de Tokyo (2010) and Kunstforeningen Det Ny Kastet (2021).
ABOUT THE WORK
"The work CROCODILES ARE HUNTING emerged in 2020 during the first COVID lockdown. It reflects on the uncertainty of the world we are living in, in which one everything can change from one day to another. It can be a dangerous place. The image depicts the jungle and paradise implementing that the world can be the most beautiful but also a dangerous place. We shouldn’t take anything for granted but always have hope." – Ed Broner
INDIVIDUALISATION
The artist individualizes each edition himself by adding elements on the print using acrylic markers – making each edition unique.
ABOUT THE FRAME
The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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Crocodiles Are Hunting

24-HOUR EDITION DROP I VRENI FROST 31 JANUARY - 1 FEBRUARY 6 PM CET - 6 PM CET 
If you could only use one word to describe Vreni Frost, it would probably be: COLORFUL. The presenter, author and speaker not only knows how to breathe life into words, she also brings paper and canvas to life. She made her debut as an artist in 2021 at the renowned HVW8 Art + Design Gallery (Berlin/Los Angeles) with her "Faces" series. This was followed in 2022 by, among other things, her first solo exhibition at Berlin Art Week, a charity auction at Christie's on the occasion of the Millerntor Gallery in Hamburg and a collaboration with the chocolate manufacturer Sawade. Art and painting have accompanied Vreni since early childhood, especially body parts such as eyes, mouths and hands constantly appear in her works, even animals regularly find their place on the canvas.
ABOUT THE WORK
"Chan(n)eling my inner Coco" is one of the first works from the Catsule Collection series. The Catsule Collection shows the undivided love for cats in combination with the love-hate relationship with fashion and the constant struggle with or against consumption, to which the artist is exposed daily. Viewed differently, the images of the series are all also to be understood as self-portraits.
INDIVIDUALISATION
The artist individualizes each edition herself by adding pieces of jewelry in acrylic paint to the cat – making each edition unique.
ABOUT THE FRAME
The frame is black spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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CHAN(N)ELING MY INNER COCO

24-HOUR EDITION DROP I KYTE TATT 26 - 27 JANUARY 6 PM CET - 6 PM CET 
Kyte Tatt's current focus is his Gardens of Liberty collection, in which his raw and gestural marks and splashes of color can be described as part abstract, part impressionist, part rough, part gentle. Look once and you find violent brushstrokes and broad movements; look again and you find poetry. His spectrum of media includes acrylic, house paint, charcoal, graphite, soft pastels, and even coffee. Kyte Tatt hopes to remind and reconnect the viewer to nature by showing its power and diversity in a strong yet delicate visual language.
ABOUT THE WORK
"The Gardens of Liberty collection is a series that I have been working on since 2019. Longing for the gardens I once created and dwelled in before moving to Berlin, this series has been my solace in the city. It is a sort of Shangri-La where the flowers are always in bloom and freedom reigns supreme. DEJLIG roughly translated from Danish, means delightful, lovely, beautiful, delicious. Oversized abstract flowers beckon the viewer in. A delicate balance of chaos and order; expressive and energetic marks reflect nature's immediacy and power."
INDIVIDUALISATION
The artist individualizes each edition by adding elements in acrylic paint on the border of the print – making each edition unique.
ABOUT THE FRAME
The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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DEJLIG

24-HOUR EDITION DROP I HORACIO QUIROZ 19 - 20 JANUARY 6 PM CET - 6 PM CET 
Horacio Quiroz is a self-taught painter who lives and works in Mexico City. His practice focuses on oil painting and drawing. His work focuses on the exploration of polarity, inspired by the hermetic philosophy texts of The Kybalion and Carl Jung. “Everything in our universe has a dual manifestation. This is so obvious that we take it for granted. The truth is that absolutely everything that exists consists of the duality of opposing forces. As part of the cosmos, human beings are no exception since they are made of spirit and matter. My work is a dialogue between these apparently conflicting forces. It explores the human condition, gender, identity, and the relationship between bodies and their environment through colors, textures, and matter that give shape to corporeal volumes, revealing a fantasy world closely tied to my daily psychological processes.” – Horacio Quiroz
ABOUT THE WORK
The representation of an everyday moment and the sacredness of its unrepeatability, in a life that navigates between the absurd and the essential, between transcendence and impermanence. When beauty originates from fractures and how we rebuild ourselves from it to generate new strategies.
INDIVIDUALISATION
The artist individualizes each edition by adding on elements to the figure’s face using a marker – making each edition unique.
ABOUT THE FRAME
The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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COSMIC VOGUING

24-HOUR EDITION DROP I KATIE BENN 20 - 21 DECEMBER 6 PM CET - 6 PM CET 
Katie Benn is a multidisciplinary artist from San Francisco. Although her roots are in the Bay Area, since late 2020, she has set up her home and art studio in Southern Oregon. Inspired by all things goofy and mysterious, her personal dreamwork, and the general absurdity of being alive, she explores themes relating to the human condition and her inner world.
ABOUT THE WORK
"AD ASTRA PER ASPERA, an old saying in Latin meaning 'To the stars, through difficulties,' is the text within my piece, as is the title. Employing free association, oil pastel, and graphite on paper, this is a portrait of a person finding their true north and moving in the direction of their highest desires despite the challenges of Earth, its gravity, and the fear of the unknown. I believe that following one's inner path, which may appear confusing or foolish to others, is the loveliest way to be alive." – Katie Benn
INDIVIDUALISATION
The artist individualizes each edition with the words PER ASPERA in graphite underneath AD ASTRA which is part of the printed oil pastel drawing.
ABOUT THE FRAME
The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Ad Astra

24-HOUR EDITION DROP I JACK WINTHROP 15 - 16 DECEMBER 6 PM CET - 6 PM CET
Jack Winthrop is an accomplished artist from Minneapolis, Minnesota (born July 26th, 1989) who recently moved to Los Angeles after living and working in New York City for a decade. When he was developing his style as a child, drawing and creating were like breathing. Almost involuntary. Winthrop’s curiosity drove him and his diligence to create new things on a daily basis.
 Winthrop mostly paints large-scale paintings on canvas. Manoeuvring between an eclectic range of styles and subjects, he challenges the conventional and explores the boundaries between fine art and subculture or street culture. By breaking down the human form, he creates work appealing like a mirror that transcends the filter we perceive as ourselves.
ABOUT THE WORK
PEACE arose from the techniques Jack Winthrop learned from drawing, painting, and creating throughout his life by dissecting and dissolving them through abstraction. Winthrop deploys refined and sophisticated judgments through form, color, composition, balance, tension, and aesthetic, which he attributes to his education in the field of design. Peace is the translation and transformation of the artist’s engrossment towards the human condition, which he visualizes in his works.
INDIVIDUALISATION
The artist signs and hand-finishes each edition by adding a surprise-drawing to his signature.
ABOUT THE FRAME
The frame is black lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 32.7 x 24.8 in.
ABOUT THE 24-HOUR EDITION DROP
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Peace

OPEN EDITION ESRA GÜLMEN UNTIL 18 JANUARY 2023
RIP yesterday’s feelings.
ABOUT ESRA GÜLMEN
Inspired by everyday life struggles, Esra Gülmen's artworks always feel relatable and raise questions about emotions, habits, and ways to love and be loved. Through blending typography and illustration and embracing the visual power of words, she creates her very own world with a less-is-more mindset. A contemporary commentary characterised by simple language, witty humour, and the desire to understand and touch people.
ABOUT THE OPEN EDITION
The OPEN EDITION is a concept which allows artists to sell an unlimited amount of physical editions within a limited time on EXPANDED.ART.
INDIVIDUALISATION
Based on her iconic YESTERDAY’S FEELINGS sculpture, Esra Gülmen presents an exclusive OPEN EDITION with EXPANDED.ART of a print edition you can look at until feelings arise, you can hang on the wall or give a moody loved one. 
Each print will be individualised by the artist with your name.
HOW TO
Esra Gülmen will put your name on the print. Just write your name in the grey box above ADD TO CART on EXPANDED.ART and click SET. When your name appears next to NAME ON PRINT, you can add the print to your cart.
Disclaimer: please note that your INDIVIDUALISATION NOTE should not be longer than your name. If you decide to leave the INDIVIDUALISATION NOTE empty, you will receive a print without individualisation. Please be aware that the artist will follow your exact spelling, including any typos you may make. We regret that later corrections or requests regarding the sentence cannot be accepted.
ABOUT THE FRAME
The frame is white lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 32 x 24.8 in.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All OPEN EDITION prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Yesterday's Feelings

<h3>About the work</h3>
"In Fail We Trust" is a tribute to society and politics of today, which must fail thoroughly first as it seems to get back on a straight and peaceful path. 
<h3>Artist Statement</h3>
David Pher is an abstract painter based in Berlin. Growing up in a house full of art in the 1980s in the middle of Germany, he fell in love with intense colours and abstract painting early on in his life. His eclectic pieces present vivid compositions of intense colour, sharp contrasts and daring compositions while often opening windows into dream worlds, where preternatural beings lay in wait for a beholder to interpret their mysteries. Emerging from an interplay of intention and craftsmanship with spontaneity and chance, his artworks often feature scrawlings of cryptic language and integrate subtle interactions between darker elements and an arresting levity of evocative colours.
<h3>Individualisation</h3>
The artist individualises each edition by adding acrylic paint elements – making each work unique.
<h3>About the Frame</h3>
The frame is white lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 63 cm; 24.8 x 24.8 in.
<h3>About the 24-Hour Edition Drop</h3>
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalised specifically for each client, the artwork therefore is not eligible for return. 
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In Fail We Trust

<h3>About the work: The Bait</h3>
“This is one of my favorite works to date. I wanted to shape a mysterious ineffable sense of falling, through an abstract and blurred figurative environment, driven by emotionally overwhelming and profound memories, like an emotional story that everyone has experienced. And how each of us as individuals controls our sensual power. I try to use different textures to distinguish the front and rear relationship and to satisfy the overall compositional relationship in the picture. `Finding balance in imbalance and retaining calm in dynamics´ is the height of content and technique I want to achieve in this work.”
<h3>Individualization</h3>
Each edition is signed, numbered and individualized by the artist herself with a hand-written, customer-specific sentence on the print relating to the artwork. Collectors can complete the sentence “[your word 1] is in the pool of [your word 2]” with their own personal two words and see them on the edition: “Florian is in the pool of art”, “Emily is in the pool of love”, “RHW is in the pool of ideas”. 
<h3>How To</h3>
Complete the sentence “[your word 1] is in the pool of [your word 2]”. Write your two words completing the sentence in the ORDER NOTE field in your shopping cart on misa.art. 
Disclaimer: please note that your ORDER NOTE should not be longer than these two words. If you decide to leave the ORDER NOTE field empty, you will receive a print without individualization. Please be aware that the artist will follow your exact spelling, including any typos you may make. We regret that later corrections or requests regarding the sentence cannot be accepted.
<h3>About the Frame</h3>
The frame is white lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 16 3/4 in ¾.
<h3>Artist Statement</h3>
“I want to bring the audience to a world between real and surreal perception. In it human’s feelings and memories are connected and we drive the universe of perception, self-search and self expression.” - Ruohan Wang
 
<h3>About the 24-Hour Edition Drop</h3>
The 24-HOUR PHYSICAL DROP is a concept which allows artists to sell an unlimited amount of phyiscal editions within the limited timeframe of 24 hours. Each 24-HOUR PHYSICAL DROP edition will be available for 24 hours only, then never again. The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR PHYSICAL DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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The Bait

<h3>About the Work</h3>
“This artwork is about “Love for yourself”, a dream of self-love and striving for loved moments. Rose stands for the softness that every person carries within themselves, even if this often remains hidden behind high walls. The colorful mix of acrylic colors stands for the variety of feelings we carry within us, as well as the variety of different types of love. The arrangement of the acrylic paint shows the unfolding of love, which often comes to light in an explosive manner.” 
<h3>Artist Statement</h3>
In dreaming we lose ourselves. We maybe dreaming of a better world, a loved one or a special magical moment. We experience beautiful or joyful things, but we live exactly for showing what is valuable, important and special for us. We show that we should and must draw positives from negatives. Dreamland invites to dream, you can let yourself fall and feel free in the here and now. This attitude reflects not only my art but also my own lifestyle. When you fall, get up and thank yourself for good moments and the bad moment will be nonexistent.
<h3>Individualization</h3>
The artist is individualising each edition by completing the painted “line” of the print with acrylic paint - making each edition unique.
As an additional extra to Cevin Parker's edition "Lovely Dream" each print comes with an exclusive AR-function that allows the motif to be experienced as a digital sculpture in space.
<h3>About the Frame</h3>
The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 32 2/3 x 24 4/5 in.
<h3>About the 24-Hour Edition Drop</h3>
The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of phyiscal editions within the limited timeframe of 24 hours. Each 24-HOUR <meta charset="utf-8">EDITION DROP edition will be available for 24 hours only, then never again. The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR <meta charset="utf-8">EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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Lovely Dream

<h3>About the Work</h3>
"My Instagram feed is usually filled with posts of people taking photos in front of art; almost all have some corny inspirational, pseudo-intellectual, or motivational caption. Look at some of these people's profiles. You'll find hundreds if not thousands of photos of them standing in front of other people's art and making weird faces as if they knew something about what they're looking at. In all honesty, I have nothing against them, but they annoy the living hell out of me. This piece is a reflection of it." – CB Hoyo
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<h3>Artist Statement</h3>
Throughout text art, I find the path to developing my own artistic voice and understanding of life. In my work, I capture and satirize contemporary society's essence and address topics that are usually thought of by many but spoken by a few. Exploring humanity's thoughts and behaviors is an integral part of my work process. These explorations constitute my prolific and reflexive network of allegories to the new bizarre normality we live in. All of them are proposed from a very personal perspective, marked by my own experiences and observation of the human condition.
<h3>Individualization</h3>
Each edition is numbered, signed and comes with a free extra print and crayons for the collectors to create a personal corny quote. See example below. <img data-mce-fragment="1" alt="" src="https://cdn.shopify.com/s/files/1/0555/7229/9962/files/Corny-Quote_empty_480x480.jpg?v=1657322070" data-mce-src="https://cdn.shopify.com/s/files/1/0555/7229/9962/files/Corny-Quote_empty_480x480.jpg?v=1657322070"> <img data-mce-fragment="1" alt="" src="https://cdn.shopify.com/s/files/1/0555/7229/9962/files/Corny_Quote_480x480.png?v=1657299791" data-mce-src="https://cdn.shopify.com/s/files/1/0555/7229/9962/files/Corny_Quote_480x480.png?v=1657299791">
<h3>About the Frame</h3>
The frame is black ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are <meta charset="utf-8">63 x 43 cm; 24.8 x 16.9 in.
<h3>About the 24-Hour Edition Drop</h3>
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The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on. Each edition is available for 24 hours only, then never again. 
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return. 
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 This edition will be exclusively available on misa.art and artsy.net.
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Stand in Front and Pretend You’re into Art, 2022

<h3>About the Work</h3>
"To me, this painting is a playful reminder to seize the day, to make something cool and creative. The storm in the background is like a tailwind. The girl in the image looks like she is on the fast lane anyway. The tattoo, that is added on each edition, is something that I actually do each day when I come to the studio: I draw a cross in my sketch book. It is like meditation and helps me focus on the creative work." - Pascal Möhlmann  
<h3>Artist Statement</h3>
The Dutch painter Pascal Möhlmann adores Van Dyck and collaborates with Virgil Abloh. He calls his style New Beauty with Punk Rock Attitude because he turns away from cynicism and irony. "I learned a language from the old masters and brought it into the present. I paint what is now," Möhlmann says.
<h3>Individualization</h3>
Each edition is individualized by the artist himself, by hand painting the girl's arm tattoo, the cross, individually on each print.
<h3>About the Frame</h3>
The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
<h3>About the 24-Hour Edition Drop</h3>
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<div class="layoutArea">
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The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours. Each edition is available for 24 hours only, then never again. 
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return. 
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Faster, 2022

<h3>About the Work</h3>
The work "Time" follows on from the large-scale works "Light" and "Too Much Candy" from 2020 and is composed primarily of the colors yellow and red. The background consisting of spray paint is reminiscent of the graffiti of the early 90s. Like an infinito, the paint application on the right side is partially hidden by the background again, so the background suddenly comes to the foreground, especially at the edges of the color. The fine color nuances merge at closer look into delicate tones like poetry. Out of yellow and red a delicate orange tone emerges in hundreds of shades. The red and white blend into a berry hue. Through the interlocking of the individual colors create a rush like a melody in music.  
<h3>Artist Statement</h3>
"I love the sensual approach to art, the worlds of color and their composition on the canvas. Although the moment of movement has long since passed, the movement has an effect right into the now and yet is frozen on the canvas, in a time capsule. Fine nuances of color merge on closer inspection into delicate Tonë like poetry. From yellow and blue, for example, a delicate shade of green can emerge in hundreds of nuances. Red and blue can blend into an intense violet. These intermediate areas fascinate me. Through the interlocking of the individual colors and their composition on the canvas creates an intoxication like a melody in music. Colors and shapes can create a feeling in the viewer like magic. And through the view, a relationship is created for a moment between the work of art and the viewer, detached from theories and reality, for the one moment a feeling arises, which may change the viewer." – Paul Schrader
<h3>Individualization</h3>
Each edition is individualized by Paul Schrader himself, by spray-painting a finish on the corner of the work.
<h3>About the Frame</h3>
The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24 3/4 x 17 3/4 in.
<h3>About the 24-Hour Edition Drop</h3>
The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours. Each edition is available for 24 hours only, then never again. 
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.  
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Time, 2022

<h3>About the Work</h3>
"'The secret to success' is the title of my bodybuilder painting. Bodybuilding is a subject I have made fun of since I was a kid. I never understood why anyone would spend so much time lifting weights to compete with other people to see who had the nicest body. It always seemed so pointless to me. But at some stage, I saw it differently: what inspired me was their determination and perseverance shaping their body. In order to keep their body in shape, they are repeating the same thing every day – lifting weights. What I find interesting in painting these muscular bodies is how our human mind sees those bodies and what we associate with them. Even the ancient Greeks had statues of their best athletes with very muscular bodies that represented success, fame and respect. When I saw bodybuilders as a kid, I had the impression: 'wow, those guys are so big and strong, they must be as strong as superheroes.' Besides that, my bodybuilder images have certain humor that I like to incorporate into my work. I still think bodybuilding is something pretty pointless – even boring. Oiled-up guys and girls compete to see who has nicer and bigger muscles. But since I have been using airbrush, I find it super fun and interesting to paint these shiny, oiled-up, muscular bodies. Determination, perseverance and hard work is the bodybuilder's 'secret to success'. Which is yours?" – Evgen Čopi Gorišek Read more about Evgen Čopi Gorišek <a href="https://misa.art/blogs/magazine/what-is-your-secret-5-questions-for-evgen-copi-gorisek" target="_blank">here</a>. 
<h3>Individualization</h3>
Each edition is individualized by the artist himself airbrushing his iconic smiling face onto the bodybuilders' faces.
<h3>About the Frame</h3>
The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
<h3>About 24-Hour Edition Drops</h3>
<div title="Page 27" class="page">
<div class="section">
<div class="layoutArea">
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The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again. 
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return. 
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Style

The Secret to Success, 2022

<h3>About the Work</h3>
Original Text in German: Dumet malt hauptsächlich mit Öl auf Leinwand, verwendet aber auch andere Techniken wie Gouache-bemaltes Papier, das auf die Leinwand geklebt wird. Sie ist dafür bekannt, impulsiv zu malen, mit einem starken Gefühl für Fluss und ohne Zwang. Das Ergebnis ist eine erhabene, faszinierende Verwendung von Farbe und abstrakter Form, die ständig mit der Figuration interagiert. Anstatt sich nur auf Details zu konzentrieren, schafft sie eine minimalistische Darstellung dessen, was sie sieht, und versteht das Thema, ohne zu versuchen Formen über Farben zu korrigieren. Ihre Motive wie Essen, Tiere, Landschaften und Porträts sind zeitgenössisch, aber zeitlos. Obwohl die Auflage eine unbestimmte Anzahl von Exemplaren erreichen kann, verleiht Dumet jedem Druck einen einzigartigen Charakter indem sie es handsigniert und mit individuellen Details versieht. Gleichzeitig mit den eingehenden Bestellungen bemalt und signiert sie jede der Editionen und schafft so eine Performance. Die Edition basiert auf Dumets Werkreihe LES PETITS OBJETS DU DÉSIR (englisch: SMALL OBJECTS OF DESIRE). In Anlehnung an den französischen Ausdruck „se retrouver autour d‘une bonne bouteille“ (sich zu treffen bei einer guten Flasche) dient eine Flasche Alkohol als Ausgangspunkt für die Arbeiten aus der Serie. Für Dumet werden solche geselligen Zusammenkünfte immer von einem guten Wein oder einem Kaffee und einer Zigarette begleitet – ihre persönlichen „Objekte der Begierde“.

Title

La petite bière bien fraîche, 2021

Jon Burgerman's editions Earth, Wind and Fire dropped on Thursday, 24 February 2022 at 6 PM CET and were available exclusively for 24 hours on misa.art. Three fuzzy character prints await your adoption. Each character's expression remains blank until brought alive through hand customization by Jon. How the artist feels at the time will be transposed onto the work giving each piece a unique expression and emotion. Each 24-Hour Physical Drop artwork is available for 24 hours only, then never again.

24-HOUR PHYSICAL DROP: Earth, Wind and Fire by Jon Burgerman

Herbert W. Franke

HISTORICAL EDITION

Herbert W Franke: MATH ART FRAKTAL

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Known as a universal genius, Herbert W. Franke (1927-2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the Metaverse, and science-fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART
In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of Pop Art. 
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke mathematics are the essence of visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections, until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS
EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Math Art Fraktal

Known as a universal genius, Herbert W. Franke (1927-2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the Metaverse, and science-fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART
In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of Pop Art. 
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke mathematics are the essence of visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections, until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS
EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.
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Math Art Komet

Known as a universal genius, Herbert W. Franke (1927-2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the Metaverse, and science-fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART
In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of Pop Art. 
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke mathematics are the essence of visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections, until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS
EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Math Art

DRAKULA stands for Dragon Curves Superimposed (German: Drachenkurven überlagert). The dragon curve is a fractal object. The basic idea was first explored by NASA physicists John Heighway, Bruce Banks, and William Harter and described by Martin Gardner in his 1967 Mathematical Games column in Scientific American. However, the mathematical theory for this was not developed until 1970 by the mathematician Chandler Davis and the computer scientist Donald Knuth.

Dragon curves are created by sequences of left and right turns according to certain rules. The program allows dragon curves of different orders – or sections of them – to be lined up and superimposed. Left and right turns were not only represented in the usual way by right-angled bends but also by mathematically defined elements, such as triangles or curved sections of curves with multiple curves. These elements were designed in such a way that when they are superimposed, clearly recognizable new form elements are created through overlaps and attachments. The superimposition of closed curves in different colors is particularly attractive. The dragon curves were also interesting for Franke as an object of experimental aesthetics and for his studies on information psychology, since here the rare case of an easy possibility of specifying their statistical information (complexity) occurs; this is equal to the number of 0,1 indications used to construct it.

Franke also overlaid dragon curves – mostly mirrored – and not only used straight lines as individual elements but also other shapes, such as semicircles or triangles, as basic elements.

The pictures of DRAKULA were made with a Siemens System 4004. The Fortran program was written by Peter Henne from the Gesellschaft für Datenverarbeitung GMD according to detailed specifications from Franke. The plots were realized by Peter Vordermaier at Siemens AG. A complete printout of the program is available. 
 
ABOUT EXPANDED.ART'S HISTORICAL EDITIONS

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Drakula

Edition

Crayon Country

FEATURED ARTWORKS

Herbert W Franke's pioneering spirit made him one of the first computer artists who was more than six decades ahead of his time. Franke discussed his visionary practice with Anika Meier.

INTERVIEW WITH HERBERT W FRANKE

"TECHNOLOGY IS NOT A THREAT TO ART."

"Many of the early pioneers did not dare call their work art and instead categorized it as design. But I just had nothing to lose. And I was also convinced that I was on the right track of knowledge." – Herbert W Franke

FLIPS by Leander Herzog consist of 6 billion dots on 300-DIN A1 prints and 300 NFTs minted by the artist on the blockchain Tezos. Created with Javascript and WebGL in the browser, tree structures grow recursively until dots are placed at the ends of every branch. The composition and shapes emerge from this minimalist generative process.
ABOUT THE EDITION NUMBER
All 600 pieces of the limited edition FLIPS are unique and numbered. Collectors can choose the edition they would like to purchase. All LIMITED EDITIONS on EXPANDED.ART are authenticated with a Certificate of Authenticity on the back of the print, signed and numbered by the artist.
HOW TO COLLECT
Collectors can purchase the physical edition on EXPANDED.ART (150,- EUR) and the NFTs on <a href="https://objkt.com/collection/KT1XS4PUKDT8KpTuQTdbfFgqF23SYN38KLos" rel="nofollow" target="_blank">OBJKT.COM</a> (100 Tez).

Leander Herzog | Flips

LIMITED EDITION

Leander Herzog: FLIPS

MANUEL ROSSNER LINE DRAWINGS

Manuel Rossner: LINE DRAWINGS

SELECTED ARTWORKS

DANIEL GEBHART DE KOEKKOEK

Daniel Gebhart de Koekkoek: DOGGYSTYLE

All Limited Editions are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Line Drawing S1

In celebration of youth culture and coming-of-age tropes, "NO, DON'T DISAPPEAR [WM-2]" from Skye Nicolas' Walkman series elevates portable music devices such as the Sony Walkman as cerebral or dematerialized readymades: conceptual digital representations of physical objects contextualized as digital artifacts containing data.
The series typifies Nicolas<meta charset="utf-8">' pixel paintings in which remixed images are reduced to their essential structure, the outline. Graphic elements are streamlined into nebulous shimmering pixels that dance across the contrasting dark background of the digital canvas. Declarative statements glide across the screen (often lifted from 1980’s and 1990’s era song lyrics), serve as both internal dialogue and a crucial visual detail to complete the digital painting’s overall composition. The result of this process of reduction and layered storytelling is a visually poetic distillation in which the viewer finds themselves occupying; an intangible dreamscape atmosphere arousing an induced nostalgia that seduces and captivates the senses.
ABOUT THE NFT 
Collectors purchase the physical edition on EXPANDED.ART. The artist mints the NFT on Tezos and sends it via Airdrop to the collector’s wallet. 
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

NO, DON’T DISAPPEAR [WM-2]

Skye Nicolas speaks to Anika Meier about music and nostalgia, digital art and pop culture.

INTERVIEW WITH SKYE NICOLAS

LIVING IN A SCIENCE FICTION NOVEL

"Art is a conversation between the past, present, and future. If you have something substantial to add to the conversation, you will be part of that greater conversation." – Skye Nicolas

Limited Editions

While photographer Heinrich Heidersberger did contract work for well-known architects of the Braunschweig School, he also began to experiment with luminography – the recording of a source of light in motion – at the beginning of the 1950s. He was fascinated by the idea of letting light itself become the object.
The invitation in 1955 to create a mural for the newly constructed School of Engineering in Wolfenbüttel was a welcome occasion for Heidersberger to become more involved with luminography. He began to build a device that he could use to record traces of light directly on photo material. The artist named the pictures he created rhythmograms and continued to pursue his experiments with great enthusiasm. 
Different to the constructive work of his contemporaries, who were following similar ambitions, Heidersberger’s light images have a three-dimensional aspect and also include coincidence as a principle in their design. Heidersberger found the inspiration for the multi-dimensional solution in reading a book on "Physics in Graphical Pictures". There he discovered the figures of the physicist Jules Antoine Lissajous and they challenged him to get similar results in photography.  <meta charset="utf-8">
ABOUT THE LIMITED EDITION
The LIMITED EDITION print is unsigned and was printed in 2023.

#3782_182b Rhythmogramm

STELLA NOVA by JULIEN ESPAGNON is a generative curated project. It's the result of much research and variations of a plastic exploration of an event: the Supernovas. This series is based on the principle of cutting and splitting shapes, allowing the discovery of the different phases of the death of a star. The result is an abstract visual interpretation of the chaos coming from the explosion. It is after many explorations—first focused on the figurative and organic aspect of the result, followed by the abstraction of the form by its geometrization—that this work progresses around colors in order to reflect the luminosity of this event. ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Stella Nova

ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Never Not in Rio

As far as images of femininity and debates about beauty ideals are concerned, Swedish artist Arvida Byström is one of the leading voices on social media and beyond. Using selfie sticks and fruit in underwear, she updates the genres of portrait and still life for the 21st century with Internet culture in mind. Her visual language is cute and girlish, and she employs the color pink as a symbol of femininity without irony. Technology has always been present in Byström’s works, in the form of smartphones and laptops. She speaks to a generation of people who pick up their smartphones first thing in the morning and only put them down when they are about to shut their eyes at night. Does technology rule over us and our bodies, or are we the ones who rule over technology?

Tanline I

BLOODY BLOOD ORANGES is a photograph from Margaret Murphy’s series “I Could Look at You All Day, made in 2020. The project consists of self-portraits and still lives made in Murphy’s home. The pictures visualize her interest in self-perception, consider the male gaze and play amongst social media’s influence on contemporary photography.
John Berger writes in WAYS OF SEEING, that a woman must simultaneously be both "the surveyor" and “the surveyed” because how she appears to those outside herself is critical to her success in life. Murphy’s photographs ask how this concept—and internalized misogyny—shapes the way we understand ourselves in the world. The companionship of still lives and portraiture in the project invites the viewer to survey moments of intimacy, reflection, disgust, celebration, and ambivalence within the world of Murphy's creation: a woman in flux between the standards set before her and the standards that she inherently feels exist within her. 
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity Sticker signed and numbered by the artist.

Bloody Blood Oranges

Tanline II

Denise Rudolf Frank’s art is a passionate plea to enjoy life. A call to action to act. To try. To experience. Her powerful, sensual handwriting seeks to touch on the human’s profound, simmering impulses and to bring them to the surface – a process both deeply intimate and cathartic.In her practice, she becomes an energy centre that seeks friction with personal and social conventions, rules and established structures – with temperament, artistic depth and a unique mind, she dreams her own, very personal, view of the world.<quillbot-extension-portal></quillbot-extension-portal>

Hey Diary 22.10.20, 2021

IN THIS MOMENT is a painting about mystery and stillness. The spark painted alternately on the earring or snake ring suggests a secretive world of feelings and thoughts of the mystery heroin portrayed.  Open to interpretation, it is an invitation to float beyond what is seen, and imagine the unknown. Because who doesn’t love a good secret?
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. This LIMITED EDITION is signed and numbered by the artist.

In This Moment

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Bruno

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Bertha

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Ragna

Limo

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Bright colors and the extensive use of flash are ever-present elements in Maxime Ballesteros’s works. MAN'S BEST FRIEND shows a pack of poodles gathering on the streets and features the artist’s distinctive visual language.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print. 
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Man's Best Friend

As part of the image series published in the Studio Magazine, Maxime Ballesteros captured the dancers at the collective (LA)HORDE exploring the body as the medium⁠: a physical exploration of space, structure and form.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print. 
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(LA)HORDE

The LUCKY HORSE, two subjects yet one adjective. Each of them is fortunate to encounter the other. One might say that, it goes beyond chance and that there is a providential element to their meeting. There is an underlying perseverance, though not inherent with the focus on having a positive outcome in their coming together. The Luck is represented by the two distinct Four-Leaf clovers, juxtaposed with fragrant flowers over each subject as an expression of the bloom and aroma of love, built upon a solid foundation represented by an ancient mosaic-like pattern.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Lucky Horse

"What makes you happy? A cookie?" – Andy Kassier ABOUT THE HAPPINESS COOKIES  Each HAPPINESS COOKIE by Andy Kassier is unique due to the fortune inside which will only be revealed to the collector.

Happiness Cookies

FLIPS #1

FLIPS #242

FLIPS #183

FLIPS #300

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