HISTORICAL EDITIONS

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SPECIAL LIMITED EDITION | LEANDER HERZOG

AI IN CONTEXT: JINY LAN | 11 SEPTEMBER 2024, 6 PM CET

ARTIST

MAGAZINE

EXHIBITION

Is it a copy? Fake? Appropriation? Conceptual Art? A performance?
WOMAN VS. MACHINE by Chinese artist and feminist Jiny Lan is an artistic commentary on the debate surrounding art and Artificial Intelligence. The artist challenges viewers to reconsider notions of creativity, authorship, and the value of human interpretation in the age of A.I.
During a 4-day performance, Jiny Lan appropriates the work PSEUDOMNESIA: THE ELECTRICIAN by German artist and photographer Boris Eldagsen. In April 2023, he declined the prestigious Sony World Photography Award because the jury had failed to notice that THE ELECTRICIAN was not a photograph, but an image co-created with AI. In an interview with CNN, he explained this historic moment: "It shows that at the moment the photographic world has been taken by surprise after this development that subtly you can create images that look like photography but you don't need to have the skills and expertise of photographers."
Jiny Lan has the skills and expertise of a painter. Trained at the National Academy of Fine Arts in Zhejiang, China, she has lived in Germany since 1995 and combines the artistic traditions of Asia and Europe to create her own visual language. By producing a hand-painted edition of 25 of one AI-generated image, the artist highlights the role of human interpretation and skill in art creation, even when the original source is AI-generated. Each edition Lan paints will be unique, contrasting with the potentially infinite reproducibility of digital AI art. This raises questions about the value of originality and the human touch in art. 
Boris Eldagsen called THE ELECTRICIAN the "Mona Lisa in the age of AI." While the Mona Lisa represents the pinnacle of human artistic skill, THE ELECTRICIAN represents the capabilities of A.I. and its impact on society. Lan's WOMAN VS. MACHINE blurs the lines between original and copy, human and machine creation, much like how digital reproductions have changed our relationship with classical works like the Mona Lisa.
It will take Jiny Lan about two months to finish the 25 editions; she needs about 2-3 days for one painting. The act of repeatedly painting the same image highlights the labor involved in traditional art-making, contrasting it with the presumed speed and ease of AI generation.
Text written by Anika Meier &amp; Claude.ai <meta charset="utf-8">ABOUT THE DIGITAL COMBINE <meta charset="utf-8">After the purchase, collectors receive the corresponding NFT via airdrop on the Tezos blockchain. If you wish to receive the NFT, please contact <a href="mailto:nfts@expanded.art">nfts@expanded.art</a>.

Woman vs. Machine

I WILL WAIT FOR YOU TO..., 2022

Yesterday's Feelings

INFO: <meta charset="utf-8">For the SUMMER ARCHIVE SPECIAL, we make the remaining APs available from the past 24-Hour Edition Drop with Cevin Parker: signed and numbered by the artist in 2022. "This artwork is about LOVE FOR YOURSELF, a dream of self-love and striving for loved moments. Rose stands for the softness that every person carries within themselves, even if this often remains hidden behind high walls. The colorful mix of acrylic colors stands for the variety of feelings we carry within us, as well as the variety of different types of love. The arrangement of the acrylic paint shows the unfolding of love, which often comes to light in an explosive manner." – Cevin Parker
In dreaming, we lose ourselves. We may be dreaming of a better world, a loved one, or a special magical moment. We experience beautiful or joyful things, but we live exactly to show what is valuable, important, and special to us. We show that we should and must draw positives from negatives. Dreamland invites you to dream; you can let yourself fall and feel free in the here and now. This attitude reflects not only my art but also my own lifestyle. When you fall, get up and thank yourself for the good moments, and the bad moments will be nonexistent.
ABOUT THE EDITION The artist is individualising each edition by completing the painted “line” of the print with acrylic paint, making each edition unique.
As an additional extra to Cevin Parker's edition of LOVELY DREAM, each print comes with an exclusive AR function that allows the motif to be experienced as a digital sculpture in space.
ABOUT THE FRAME The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 32 2/3 x 24 4/5 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of phyiscal editions within the limited timeframe of 24 hours. Each 24-HOUR <meta charset="utf-8">EDITION DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR <meta charset="utf-8">EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Lovely Dream

For the SUMMER ARCHIVE SPECIAL, we make the remaining APs available from the past 24-Hour Edition Drop with David Pher: signed and numbered by the artist in 2022.
IN FAIL WE TRUST by David Pher is a tribute to society and politics of today, which must fail thoroughly first as it seems to get back on a straight and peaceful path. 
BIO David Pher is an abstract painter based in Berlin. Growing up in a house full of art in the 1980s in the middle of Germany, he fell in love with intense colors and abstract painting early on in his life. His eclectic pieces present vivid compositions of intense color, sharp contrasts, and daring compositions while often opening windows into dream worlds, where preternatural beings lay in wait for a beholder to interpret their mysteries. Emerging from an interplay of intention and craftsmanship with spontaneity and chance, his artworks often feature scrawlings of cryptic language and integrate subtle interactions between darker elements and an arresting levity of evocative colors.
ABOUT THE EDITION The artist individualizes each edition by adding acrylic paint elements, making each work unique.
ABOUT THE FRAME The frame is white lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 63 cm; 24.8 x 24.8 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

In Fail We Trust

Purple Prince

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Jon Burgerman: signed, numbered, and individualized by the artist in 2022. 
About the Work This fuzzy character print awaits your adoption. Each character's expression remains blank until brought alive through hand customization by Jon. How the artist feels at the time will be transposed onto the work giving each piece a unique expression and emotion.
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 53 cm x 43 cm; 19 3/4 x 15 3/4 in.
About 24-Hour Edition Drops The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Fire, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Jon Burgerman: signed, numbered, and individualized by the artist in 2022. About the Work This fuzzy character print awaits your adoption. Each character's expression remains blank until brought alive through hand customization by Jon. How the artist feels at the time will be transposed onto the work giving each piece a unique expression and emotion.
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 53 cm x 43 cm; 19 3/4 x 15 3/4 in.
About 24-Hour Physical Drops The 24-HOUR PHYSICAL DROP is a concept which allows artists to sell an unlimited amount of phyiscal editions within the limited timeframe of 24 hours on misa.art. Each 24-HOUR PHYSICAL DROP edition will be available for 24 hours only, then never again. The editions are numbered chronologically according to the time of receipt of the order. All 24-HOUR PHYSICAL DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return. Please note that we reserve the right to cancel orders with excessive quantities after they have been placed in order to protect the artist's work.

Earth, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Jon Burgerman: signed, numbered, and individualized by the artist in 2022. About the Work This fuzzy character print awaits your adoption. Each character's expression remains blank until brought alive through hand customization by Jon. How the artist feels at the time will be transposed onto the work giving each piece a unique expression and emotion.
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 53 cm x 43 cm; 19 3/4 x 15 3/4 in.
About 24-Hour Edition Drops The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Wind, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining 8 APs available from the past 24-Hour Edition Drop with Evgen Čopi Gorišek: signed, numbered, and individualized by the artist in 2022.  222 editions were sold in 2022. 20 APs were signed and numbered by the artist in addition, 9 of them are with EXPANDED.ART. 8 are available now on the occasion of the EXPANDED SUMMER SPECIAL.  "'The Secret to Success' is the title of my bodybuilder painting. Bodybuilding is a subject I have made fun of since I was a kid. I never understood why anyone would spend so much time lifting weights to compete with other people to see who had the nicest body. It always seemed so pointless to me. But at some stage, I saw it differently: what inspired me was their determination and perseverance shaping their body.  In order to keep their body in shape, they are repeating the same thing every day – lifting weights. What I find interesting in painting these muscular bodies is how our human mind sees those bodies and what we associate with them. Even the ancient Greeks had statues of their best athletes with very muscular bodies that represented success, fame and respect. When I saw bodybuilders as a kid, I had the impression: 'wow, those guys are so big and strong, they must be as strong as superheroes.' Besides that, my bodybuilder images have certain humor that I like to incorporate into my work. I still think bodybuilding is something pretty pointless – even boring. Oiled-up guys and girls compete to see who has nicer and bigger muscles. But since I have been using airbrush, I find it super fun and interesting to paint these shiny, oiled-up, muscular bodies. Determination, perseverance and hard work is the bodybuilder's 'secret to success'. Which is yours?" – Evgen Čopi Gorišek Individualization Each edition is individualized by the artist himself airbrushing his iconic smiling face onto the bodybuilders' faces.
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
About 24-Hour Edition Drops The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
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The Secret to Success

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining 9 APs from 20 available from the past 24-Hour Edition Drop with CB Hoyo: signed and numbered by the artist in 2022. 
"My Instagram feed is usually filled with posts of people taking photos in front of art; almost all have some corny inspirational, pseudo-intellectual, or motivational caption. Look at some of these people's profiles. 
You'll find hundreds, if not thousands, of photos of them standing in front of other people's art and making weird faces as if they knew something about what they're looking at. In all honesty, I have nothing against them, but they annoy the living hell out of me. This piece is a reflection of it." – CB Hoyo 
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"Throughout text art, I find the path to developing my own artistic voice and understanding of life. In my work, I capture and satirize contemporary society's essence and address topics that are usually thought of by many but spoken by a few. Exploring humanity's thoughts and behaviors is an integral part of my work process. These explorations constitute my prolific and reflexive network of allegories to the new bizarre normality we live in. All of them are proposed from a very personal perspective, marked by my own experiences and observations of the human condition." – CB Hoyo 
ABOUT THE EDITION Each edition is numbered, signed, and comes with a free extra print and crayons for the collectors to create a personal corny quote. 
ABOUT THE FRAME The frame is black ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are <meta charset="utf-8">63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours. Each edition is available for 24 hours only, then never again.
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This edition will be exclusively available on misa.art, now EXPANDED.ART, and artsy.net.

Stand in Front and Pretend You’re into Art, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining 19 APs available from the past 24-Hour Edition Drop with Pepi Erdbories: signed, numbered, and individualized by the artist in 2022.
"We are all on our own unique journey. The lines that are flowing through the painting are like roads, and every crossover stands for a special happening in your life. A special feeling, a dream, or a memory—you choose. 
ONE STEP FURTHER THERE IS A NEW HORIZON is about all the possibilities in life and the potential that lies in front of you. The desire to follow your true purpose. It’s about new beginnings while leaving something behind that maybe wasn’t meant to be. Keep going and trust the process on your way to new horizons.
With my work, I always try to create an outer framework for the following inner play of thoughts. By combining abstract art and text art, I invite the viewers to identify themselves with my work individually and connect their own story to it. My main goal is to convey a good, empowering feeling as well as get in touch with the subconscious mind. Art is my purpose; it’s my way to express myself, to enter into dialogue, to evoke emotions, and to bring people together. – Pepi Erdbories
ABOUT THE EDITION Each edition is signed, numbered, and individualized by the artist herself, painting on the print using acrylic paint.
ABOUT THE FRAME The frame is white ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; <meta charset="utf-8">24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on misa.art. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

One Step Further There Is a New Horizon

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining 2 editions available from the past 24-Hour Edition Drop with Matthew Stone: signed and numbered by the artist. 
Matthew Stone has always wanted to make religious paintings, while also looking to disrupt the holy status of paint as the 'cosmic flesh' of art history. A continuous thread of bodies and painting, together and in motion, flows through everything he creates.  These "religious paintings" have taken various forms, from photographs of friends that read like Carravaggio, to mystic nightclub performances that felt like modern ceremonies. His printed abstract paintings of digitised gestural brushstrokes look like dance. Culminating from years of experiments, since 2015, his figurative works wrap paint around digital avatars. 
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 43 x 63 cm; 17 3/4 x 24 3/4 in.
About the 24-Hour Edition Drops The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Play, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Jonathan Monaghan: signed, numbered, and individualized by the artist in 2023. 24-HOUR EDITION DROP I JONATHAN MONAGHAN 16-17 FEBRUARY 2023 6-6 PM CET 
Jonathan Monaghan is an artist working across a range of media, including prints, sculpture, and computer-animated video, to produce otherworldly objects and narratives. Drawing on wide-ranging sources, such as historical artworks and science fiction, his fantastical pieces uncover subconscious anxieties associated with technology and consumerism. Past exhibitions include the Sundance Film Festival, the Walters Art Museum in Baltimore, and the Palais de Tokyo in Paris. His work has been featured in several media outlets, including The New York Times, Vogue, and The Washington Post. His work sits in numerous public and private collections, including the Crystal Bridges Museum of American Art and the Phillips Collection in Washington, D.C.
ABOUT THE WORK MYSTICAL UNICORN transforms an iconic medieval tapestry of a unicorn in captivity into an otherworldly vignette. Enclosed in a ring of security checkpoints, this mythical creature is trapped by technology. Inspired by the famous series of tapestries known as the Hunt of the Unicorn, Monaghan draws from its use of pagan imagery and references. By re-imagining these ancient mythologies and symbols, Monaghan provides a modern mythical narrative for the digital age.
ABOUT THE EDITION The artist will doodle on the print, adding designs to the fabric buttons in ink, making each edition unique.
ABOUT THE FRAME The frame is natural ash wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

Mystical Unicorn

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Albrecht/Wilke: signed, numbered, and individualized by the artists in 2022. "A currywurst is no longer just a sausage topped with tomato sauce and curry. It is the greatest thing that Berlin street food culture has to offer. It has long arrived at the Olympus of German culture. From a construction worker‘s quick snack to the cravings of Berlin's party scene, it has become a culinary delight. Served in a small cardboard tray with a plastic prick or plated on fine porcelain with proper cutlery, made of pork or vegan, with or without sausage gut, in one piece or cut into bite-size morsels, the choice is yours. In addition to the club culture and Checkpoint Charlie, the currywurst calls people from near and far. Because in front of a currywurst, all people are equal – hunger becomes happiness."  – Albrecht/Wilke
Each edition will be personalized by the artist duo Albrecht/Wilke with various depictions of their choice such as a sausage dog, a cloud, or a dwarf. About the Frame The frame is black glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 16 3/4 in.
About 24-Hour Edition Drops The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Wursthunger, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining AP available from the past 24-Hour Edition Drop with Erik Minter: signed, numbered, and individualized by the artist in 2022.
"SpoonfoOl ~ Life has many desires that we may crave: sugar, comfort, sex, sleep, dreams, money, drugs, and even life itself. Determining how much time to spend on yourself to feel satisfied is a balancing act. Every time we wake up, do we hit the snooze or jump into the day? We only fool ourselves if we think someone else's self-help instructional knows the right answer. Each person's experience of everyday life is fundamentally unique, so just take a spoonful of what you crave and see where it leads you!"  – Erik Minter 
Erik Minter’s (b. 1979) work plays on bold, vibrant color combinations often met with sky-tone gradients that weave between graphical shapes and fluid-like splashes. Combining abstraction with surreal figuration, Minter has moved from digital drawings and photographic manipulations to paint and the physical surface, seeking to capture the emotion of experiences, either lived or dreamed and to express his feelings and curiosity about life. With different layers that unfold over time, each work gives way to new discoveries. When Minter bends the flow of color, his forms look as if they could not be controlled, however they have been. His technique, both premeditated and unplanned, channels him to find and explore pleasures, ironies and the mutable and plastic nature of existence. Experimenting with techniques as well as the strength and agility of his body, Minter continually pushes the limits of painterly expression. Through his experiments, he has developed a set of techniques that he now combines to create truly unique works of art that serve as both traces of processes and immutable results.
Individualization Erik Minter individualizes each edition by drawing additional elements with acrylic paint on the print – making each edition unique.
About the Frame The frame is white ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
About the 24-Hour Edition Drop The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Spoonfool

ABENDBROT

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Martin Grandits: signed, numbered, and individualized by the artist in 2022.
Martin Grandits’ art is conceptual, sometimes critical and always ironic. By using humor as a weapon, he manages to bring ease and irony into socio-critical topics. He has established his position somewhere in between hyper pop-culture and high-class art, moving inbetween Tinder and Picasso. By using various media, ranging from sculpture, textile or paint, Grandits finds lots of spaces to transform his wit into art. For the edition GOD HATES BERLIN, he mixes his favorite ingredients into an ironic and critical statement piece of art.   Individualization Each edition is individualized by the artist himself, by painting the line under BERLIN with acrylic paint.
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
About this Drop This drop will be available exclusively during Parallel Vienna Editions 2022 from May 12th - May 15th, 2022, then never again. Each artwork will be produced and personalized specifically for each client, the artwork, therefore, is made to order and not eligible for return.

God Hates Berlin, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Horacio Quiroz: signed, numbered, and individualized by the artist in 2023. 24-HOUR EDITION DROP I HORACIO QUIROZ 19-20 JANUARY 2023 6-6 PM CET 
Horacio Quiroz is a self-taught painter who lives and works in Mexico City. His practice focuses on oil painting and drawing. His work focuses on the exploration of polarity, inspired by the hermetic philosophy texts of The Kybalion and Carl Jung. "Everything in our universe has a dual manifestation. This is so obvious that we take it for granted. The truth is that absolutely everything that exists consists of the duality of opposing forces. As part of the cosmos, human beings are no exception since they are made of spirit and matter. My work is a dialogue between these apparently conflicting forces. It explores the human condition, gender, identity, and the relationship between bodies and their environment through colors, textures, and matter that give shape to corporeal volumes, revealing a fantasy world closely tied to my daily psychological processes." – Horacio Quiroz
ABOUT THE WORK The representation of an everyday moment and the sacredness of its unrepeatability in a life that navigates between the absurd and the essential, between transcendence and impermanence, When beauty originates from fractures and how we rebuild ourselves from them to generate new strategies,
ABOUT THE EDITION The artist individualizes each edition by adding elements to the figure’s face using a marker, making each edition unique.
ABOUT THE FRAME The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

COSMIC VOGUING

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining AP available from the past 24-Hour Edition Drop with <meta charset="utf-8">
Hannah Müller-Hillebrand: signed, numbered, and individualized by the artist. "I portray different shapes and figures to unfold a narrative that allows you to connect with your inner raw wildness. My work is meant to support a journey of self-love, connection with nature and to celebrate playful childlike energy. I want to channel freedom into my work in a way that feels authentic and raw.  
My work addresses the connection of humans and nature from a feminist perspective. Our lifestyle, the way we see our bodies, or inner voices detach more and more from our true wild nature. I want to encourage women all over to connect with their deep intuitive nature. I want to encourage self healing and rejuvination, listening to ones own body and trusting ones senses. Intuition is not only my key ingredient when it comes to starting a new piece, but also the tool I want someone to use when looking at my work." <meta charset="utf-8"> – Hannah Müller-Hillebrand 
Individualization <span class="NormalTextRun SCXW254397406 BCX0" style="font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;" data-mce-fragment="1">Each edition is individualized by the artist herself drawing the outline of the figure and her signature in randomly chosen colors in chalk.
About the Frame The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
About the 24-Hour Edition Drop The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again. The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Heavy Space

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining editions available from the past 24-Hour Edition Drop with Christian Holze: signed, numbered, and individualized by the artist in 2022.
Christian Holze's edition title NOTHING NEW promises nothing new and stages the comeback of one of the major works of late Hellenistic sculpture in the form of a virtual reenactment: the Borghese Fencer (Louvre, Paris). While antique sculptures oftentimes lead a shadow existence in today’s art market, they are revived virtually.
Christian Holze bases his art on these objects and creates elaborate renderings of them. Like a sculptor, he models simulated space with various tools and methods, detached from physical properties. Ray tracing and Clothcollision are the new digital tools for working out reflections on surfaces and for controlling the fusion of fabrics and objects. The immaterial character paired with realistic light and gloss effects determine the visual appearance of these metamorphoses, of which one does not quite know whether they are already reality or still located in the realm of imagination. In addition to images with softly flowing draperies, Holze's work always shows the physiognomies of the two heroic sculptures merging into a liquefied, polymorphous mass in more than brotherly connotations of embrace. Holze translates the progression of the original forms into digital color surfaces without material structure into inkjet prints on canvas, which are finally glazed and partially painted over by hand with brush and paint. As printed originals, they thus assert their own inner contradiction. 
Christian Holze lives and works in Leipzig. In his work he combines different artistic categories into hybrids: object, 3D graphics, painting and installation. The exploration and dissolution of these categories is just as essential to him as the fusion of analog and digital working practices. The marketing strategies of current technology and luxury goods corporations are as much a part of Holzes artistic fundus as the identity-forming properties of their products. Through an affirmative approach to the resulting research topics, Holz's works slip into the role of the product themselves, questioning their own artistic creation and the commodification of visual art.
Individualization Each edition is individualized by the artist himself, by <meta charset="utf-8"><span data-mce-fragment="1" class="TextRun SCXW262051744 BCX0" lang="EN-US" data-contrast="auto" style="font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;" xml:lang="EN-US">dripping acrylic paint on the print. 
About the Frame The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
About the 24-Hour Edition Drop The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on misa.art. Each edition is available for 24 hours only, then never again.
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The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return. 
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Nothing New, 2022

72-HOUR OPEN EDITION DROP | JINY LAN 26-29 JANUARY 2023 6-6 PM CET
The value of freedom is not present to many of us in everyday life. Freedom is taken for granted. For the Chinese artist Jiny Lan, who lived under different conditions in her homeland, freedom cannot be taken for granted. Her harmless-looking work of art, TONGJI INTELLIGENCE-YINE could lead to a prison sentence for her in China, as Pooh the bear, for example, has been banned.
The artist's proceeds will be used to prepare her performance for the planned exhibition, <a href="https://www.pinakothek-der-moderne.de/en/exhibitions/eccentric/">ECCENTRIC. THE AESTHETICS OF FREEDOM</a> at the Pinakothek der Moderne in autumn 2024.
The painting that forms the basis of this exclusive edition was created during a performance that Jiny Lan carried out in cooperation with 12 compatriots. At the 126th anniversary celebration of Tongji University, Jiny Lan invited 12 fellow celebrants to paint a picture with her. Each person was given a canvas that served as a palette for mixing colors. From the leftover paint on the canvases, Jiny Lan created figures in which she either hidden or demonstratively showed elements that were forbidden in China, like Pooh the Bear. The participants in the performance were thus included in the censorship system.
HAND-FINISH Each edition is individualized and hand-signed by the artist.
ABOUT THE 72-HOUR EDITION DROP The 72-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within the limited time frame of 72 hours on EXPANDED.ART. Each 72-HOUR EDITION DROP edition will be available for 72 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 72-HOUR EDITION DROP prints are made to order. Each artwork will be produced specifically for each client; therefore, the artwork is not eligible for return.

Title

TONGJI INTELLIGENCE-YINE

Salvation II

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<div>72-HOUR OPEN EDITION DROP | SEBASTIAN MERK</div>
<div>30 November – 3 December 2023</div>
<div>6-6 PM CET </div>
"The edition BEAUTY is a vivid expression of what I perceive as true beauty. The dynamic interplay of colors within the composition generates a palpable tension, evoking a sense of excitement and arousal. The deliberate use of contrasting hues contributes to an immersive experience, inviting the viewer to be captivated by the intricate details woven into the canvas. 
The infusion of natural elements adds a layer of depth to the piece. The verdant greens and serene blues resonate with the essence of nature, while the warm tones of orange and yellow evoke the mesmerizing hues of a sunset—an enduring wellspring of inspiration in my artistic journey. 
Beyond the visual allure, there is a distinctly feminine energy that emanates from the artwork. This subtle yet powerful aspect adds another layer of complexity, inviting contemplation on the interconnectedness of beauty and femininity within the broader context of the piece." – Sebastian Merk
<div>HAND-FINISH  Each edition comes hand-signed by the artist via a numbered and signed Certificate of Authenticity on the back of the print.</div>
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<div><meta charset="UTF-8"> ABOUT THE 72-HOUR EDITION DROP  The 72-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within the limited time frame of 72 hours on EXPANDED.ART. Each 72-HOUR EDITION DROP edition will be available for 72 hours only, then never again.</div>
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<div><meta charset="UTF-8"> ABOUT THE EDITION NUMBER  The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 72-HOUR EDITION DROP prints are made to order. Each artwork will be produced specifically for each client; therefore, the artwork is not eligible for return.</div>
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Beauty

72-HOUR OPEN EDITION DROP | DANIEL GEBHART DE KOEKKOEK 22-25 November 2023 6-6 PM CET
Photographer Daniel Gebhart de Koekkoek knows how to translate humour into authentic and unpolished pictures. Currently based between Berlin and Vienna, he toys with the absurdity of everyday life using his highly acclaimed talent for the good, the bad, and the ugly. He is best known for his viral art series "Doggystyle", "Jumping Cats", and "Better Living With Alpacas". Koekkoek was called "the art world's Dr. Doolitle" by It's Nice That. With his roots in Tyrol, Austria, he moved to New York in 2008 to learn at Magnum Photos. Since then, he has released award-winning art publications and exhibited throughout Europe, Asia, and the US.
ABOUT THE WORK LIVING WITH ALPACAS is a calendar project that features these adorable furry models interacting with the camera lens. It provides a delightful experience for adults, rekindling the magic of childhood fantasies. Now you can own one of the artworks from the series.
HAND-FINISH Each edition comes hand-signed by the artist via a numbered and signed Certificate of Authenticity on the back of the print.
ABOUT THE 72-HOUR EDITION DROP The 72-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within the limited time frame of 72 hours on EXPANDED.ART. Each 72-HOUR EDITION DROP edition will be available for 72 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 72-HOUR EDITION DROP prints are made to order. Each artwork will be produced specifically for each client; therefore, the artwork is not eligible for return.

AMOR (BETTER LIVING WITH ALPACAS)

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<div>72-HOUR OPEN EDITION DROP  | <meta charset="UTF-8"> DANIEL GEBHART DE KOEKKOEK</div>
<div>22–25 November 2023</div>
<div>6-6 PM CET </div>
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Photographer Daniel Gebhart de Koekkoek knows how to translate humour into authentic and unpolished pictures. Currently based between Berlin and Vienna, he toys with the absurdity of everyday life using his highly acclaimed talent for the good, the bad, and the ugly. He is best known for his viral art series "Doggystyle", "Jumping Cats", and "Better Living With Alpacas". Koekkoek was called "the art world's Dr. Doolitle" by It's Nice That. With his roots in Tyrol, Austria, he moved to New York in 2008 to learn at Magnum Photos. Since then, he has released award-winning art publications and exhibited throughout Europe, Asia, and the US.
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It is often said that curiosity killed the cat, yet an equally enduring notion suggests that cats possess nine lives. According to a theory put forth by ‘catisticians’ the inherent perils of a cat's curiosity led them to conclude that nine lives would be a far more efficient proposition than just one. This arrangement granted them the freedom they so ardently craved, along with ample time to luxuriate in snug corners, exude an air of bemusement, nap atop pristine piles of laundry, wear an air of apathy, explore the great outdoors, pounce on any moving object, cast disapproving glances, and even exhibit a curious fear of cucumbers. Once cats seemingly mastered the art of putting mortality on ‘paws’, they were liberated to approach life with the unique blend of gusto, agility, courage, and occasional recklessness that only cats can manifest. In his photographic work, Daniel Gebhart de Koekkoek endeavors to capture the aerial acrobatics of these remarkable creatures, introducing his images of Ume, Elli, Flitzie, Nevio, and Fiffy to the world. <meta charset="UTF-8">Now, you can relish one of the photos from this series, beautifully displayed on your wall. 
<div>HAND-FINISH  Each edition comes hand-signed by the artist via a numbered and signed Certificate of Authenticity on the back of the print.</div>
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<div><meta charset="UTF-8"> ABOUT THE 72-HOUR EDITION DROP  The 72-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within the limited time frame of 72 hours on EXPANDED.ART. Each 72-HOUR EDITION DROP edition will be available for 72 hours only, then never again.</div>
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<div><meta charset="UTF-8"> ABOUT THE EDITION NUMBER  The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 72-HOUR EDITION DROP prints are made to order. Each artwork will be produced specifically for each client; therefore, the artwork is not eligible for return.</div>

DOTTIE (JUMPING CATS)

EXCLUSIVE ON EXPANDED.ART

TIME-LIMITED EDITION DROP: MARC KLEIN 14–19 November 2023 6-6 PM CET  The artwork MONOCHROM MIRROR by Marc Klein is also a mirror. For you, for them, for the objects that you see in the mirror. The light in the room changes; the sun goes down, and clouds pass by. The image you will see will only be visible for a moment. Just a glimpse, and it’s gone. If you want to see this exact image again, you have to wait for one year—for the sun to be in the same spot on the same day. You’ll figure this out. It cannot happen again. The moment has passed. You changed, hopefully. Change is a good thing.  ABOUT THE EDITION MONOCHROM MIRROR by Marc Klein is available in five colors. Each edition is unique; it will be created by the artist after the end of the TIME-LIMITED EDITION DROP. Each edition is signed and numbered by the artist. 
ABOUT THE TIME-LIMITED EDITION DROP  The TIME-LIMITED EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame on EXPANDED.ART. Each TIME-LIMITED EDITION DROP edition will be available for a limited time, then never again.
ABOUT THE EDITION NUMBER  The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. Each artwork will be produced specifically for each client; therefore, the artwork is not eligible for return.

Color

MONOCHROM MIRROR

Vase IV

48-HOUR EDITION DROP I Stefan Heyer 26-28 JULY 2023 6-6 PM CEST 
Stefan Heyer is a German contemporary artist working in Barcelona, Catalonia, Spain. His gestural abstract paintings are an exploration of histories, both personal and shared, and are inspired by pop culture, esoteric and philosophical issues of our postmodern digital age, alienation, nature, and history in general. His journey to a career in the arts was not born of privilege but of passion.
Experiencing the DIY attitude of the 1980s and 1990s, it was this aesthetic underground rather than academic training that developed Stefan Heyer’s style and consciousness of art. After a career in street fashion as an art and creative director, he went full-time as an artist in 2008.
His work can be found in private collections around the world. Heyer is represented by galleries in the USA (Gallery MAR, Utah, and Simchowitz/Creative Partners in Los Angeles), Grainger Gallery (Australia), DB Contemporary Art (Düsseldorf, Germany), Kunsthaus Artes (Hannover/Berlin, Germany), and JPB-ART Gallery (Saint Tropez, France).
ABOUT THE WORK 
"This painting was the key piece of my work on raw canvas from 2019–2021, a highly transformational period for my artistic practise and also personally: I moved from Hamburg to Spain. As a visualisation of an inner landscape fed by impressions and scents from past travels, the work is also a kind of cosmic mind map, a personal spiritual journey through the Pleroma, a boundless, impersonal space at the root ground of the human soul that encompasses its conscious and unconscious lives. According to Carl Gustav Jung, the soul is the intrapsychic definition of this fullness.
Photo-transferred images of mid-century modern architecture, my alter ego Le Mat/The Fool of the Original Tarot de Marseille, a portrait of musician Frank Ocean, old photos of shamanic rituals I found on the Web, and an image of Ghana's capital Accra Agbogbloshie, home to one of Africa's largest e-waste dumps, as a metaphor of what went wrong on our planet and what we have to solve and overcome as a civilization, are interwoven with my mixed media of oil brush strokes, handwritten words, oil pastel, and pencil lines and marks." – Stefan Heyer
HAND-FINISH Each edition is signed and numbered by the artist himself. 
ABOUT THE FRAME The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 48-HOUR EDITION DROP The 48-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 48 hours on EXPANDED.ART. Each 48-HOUR EDITION DROP edition will be available for 48 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 48-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Option

Untitled (Reflection on creation and space)

24-HOUR EDITION DROP I JULE WAIBEL  13-14 JULY 2023  6 PM CEST - 6 PM CEST Jule Waibel currently resides in the dynamic art scene of New York City. With additional studios in Berlin and Bali, Waibel seamlessly weaves her creative spirit across continents, blending diverse influences into her works. Oil paint on canvas is her chosen medium to transport her strong, sensual, and independent figures to centre stage. Waibel's artistic journey is a celebration of the multifaceted nature of femininity, as she captures the essence of empowered women in their everyday lives. From the bustling cityscapes to the serenity of nature's embrace, her figurative paintings radiate with vibrant energy and an unmistakable sense of freedom. ABOUT THE WORK  "ROOFTOP TANNING IN THE CITY" portrays four women in Jule Waibel’s "facets" style. Facets are typically depicted with a light skin tone and a dark skin tone, ranging from white to black and all colours in between. This style symbolises diversity and, most importantly, equality, and that you are the same person no matter the colour of your skin. In this edition, Jule expands the two-toned elements to the towels on which the facets lay.  "I enjoy leaving my artwork open to interpretation and letting viewers create their own story. For me, this was inspired by some of my recent experiences in New York City, where there is a strong balance of independence and togetherness. People are simultaneously in their own peace of mind, but they are still physically together because they have each other." – Jule Waibel HAND-FINISH Each edition comes hand-signed by the artist including a numbered Certificate of Authenticity on the back of the print. ABOUT THE FRAME  The frame is white ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in. ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP will be available for 24 hours only, then never again. The 24-HOUR EDITION DROPS are numbered and signed by the artist. ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

ROOFTOP TANNING IN THE CITY

48-HOUR EDITION DROP I JOACHIM BOSSE 31 MAY – 2 JUNE 6 PM CEST - 6 PM CEST 
Joachim Bosse is a conceptual artist living and working in Berlin. Using hyperrealistic sculptures, typography, and mixed media, he deals with consumerism, the influences of mass media, and the impact of echo chambers and social eco-systems in the digital age. He remixes pop culture and recontextualizes famous iconography in order to question contemporary identities and cultural values. Bosse describes his work as public messaging.
ABOUT THE WORK "OMG, this was my first artwork ever. Until today, it felt like my firstborn, with whom I had a very close and special relationship.
I remember carrying around the idea for this sculpture for two years, not knowing how to bring it to life. Since it feels like a modern icon to me, representing today's society oscillating between the remains of analogue reality and searching for a new belief, purpose, and belonging in a realm of digital uncertainty, I was scared and nervous someone else would come up with the idea as well, being able to produce it before me.
When I finally was able to carve the face and body, to fully create and release it, I was blown away by the world-wide recognition as an artist and coverage by international media outlets such as Hypebeast and HIGHSNOBIETY, followed up by exhibitions and AR-experiences.
That’s why today I’m proud to be able to release my first fine art print ever with the first artwork I started my career with. It feels like a new beginning, and I’m proud to share it." – Joachim Bosse
 OMG is for the believers. The ones who like. The ones who post, share, and comment.
The ones who share their running and yoga routine, their food, clothes, and vacation. Their birthdays and honeymoons, their workdays and club nights, their Sunday brunches and shopping trips.
OMG is for the selfie queens and dm kings. The soccer moms and the coffee-shop hipsters. The dudes and the bros. The sunset mamas and the bbq papas, the motivational coaches and the gym jocks.
OMG is for the followers.
(Please like this post)
HAND-FINISH
Each edition is signed and numbered by the artist.
ABOUT THE FRAME
The frame is white ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 48-HOUR EDITION DROP
The 48-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 48 hours on EXPANDED.ART. Each 48HOUR EDITION DROP edition will be available for 48hours only, then never again.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

OMG IN HEAVEN

24-HOUR EDITION DROP I KATHRIN WESSLING 25-26 MAY 2023 6-6 PM CEST 
Kathrin Wessling is a German author, artist, and social media expert. She has over 70,000 followers on Twitter and Instagram who follow her posts and articles on topics such as feminism, mental illness, and pop culture. Her latest books are "Nix passiert" and "Super, und dir?", the latter was hailed by the press and readers as "the novel of her generation". She also writes regularly for ZEIT ONLINE, SPIEGEL, and many more. She has worked for stern.de, DER SPIEGEL, Mit Vergnügen, and Storymachine, among others. Kathrin Wessling lives in Berlin.
ABOUT THE WORK "I paint my pictures in my small 1-room apartment. I could also say studio or apartment; people in Berlin find that more chic, but I prefer to stick to what it is. Just like with my paintings. I paint what is. I paint who I am. I paint what I am. I paint myself. YES and MAYBE were created after a breakup in 2022, when weekends and evenings were long and nights were dark. Painting saved my (pardon my French) ass. I painted when I was angry, when I was sad, which I was actually all the time, when I was lonely or alone, or when I was just bored. Painting evokes in me what people assume writing does for me: I lose myself completely in it; I am focused, calm, and happy. Painting is my free, wild garden after writing has become a cramped house. I can express with painting what I otherwise cannot. In this series, it is all my pain and all my anger. The paintings show all these emotions. But they also show the continuation, the non-giving up, when all you want to do is scream. I threw up my heart on the canvas until I could breathe again. They remind me that I carry a gift inside me. The gift of still being able to create something out of the greatest chaos, fear, and pain that makes other people feel something, that moves and cracks others up, pinches their sides a little, and says: no matter how bad it is right now, you're not alone in this."  – Kathrin Wessling 
ABOUT THE EDITION Each edition is individualized by the artist herself.
ABOUT THE FRAME The frame is black ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

MAYBE

24-HOUR EDITION DROP I KATHRIN WESSLING 25-26 MAY 2023 6-6 PM CEST 
Kathrin Wessling is a German author, artist, and social media expert. She has over 70,000 followers on Twitter and Instagram who follow her posts and articles on topics such as feminism, mental illness, and pop culture. Her latest books are "Nix passiert" and "Super, und dir?", the latter was hailed by the press and readers as "the novel of her generation". She also writes regularly for ZEIT ONLINE, SPIEGEL, and many more. She has worked for stern.de, DER SPIEGEL, Mit Vergnügen, and Storymachine, among others. Kathrin Wessling lives in Berlin.
ABOUT THE WORK "I paint my pictures in my small 1-room apartment. I could also say studio or apartment; people in Berlin find that more chic, but I prefer to stick to what it is. Just like with my paintings. I paint what is. I paint who I am. I paint what I am. I paint myself.
YES and MAYBE were created after a breakup in 2022, when weekends and evenings were long and nights were dark. Painting saved my (pardon my French) ass. I painted when I was angry, when I was sad, which I was actually all the time, when I was lonely or alone, or when I was just bored. Painting evokes in me what people assume writing does for me: I lose myself completely in it; I am focused, calm, and happy. Painting is my free, wild garden after writing has become a cramped house. I can express with painting what I otherwise cannot. In this series, it is all my pain and all my anger.
These two paintings show all these emotions. But they also show the continuation, the non-giving up, when all you want to do is scream. I threw up my heart on the canvas until I could breathe again. They remind me that I carry a gift inside me. The gift of still being able to create something out of the greatest chaos, fear, and pain that makes other people feel something, that moves and cracks others up, pinches their sides a little, and says, no matter how bad it is right now, you're not alone in this."   – Kathrin Wessling
ABOUT THE EDITION Each edition is individualized by the artist herself.
ABOUT THE FRAME The frame is black ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

24-HOUR EDITION DROP I KATHRIN WESSLING 25-26 MAY 2023 6-6 PM CEST 
Kathrin Wessling is a German author, artist, and social media expert. She has over 70,000 followers on Twitter and Instagram who follow her posts and articles on topics such as feminism, mental illness, and pop culture. Her latest books are "Nix passiert" and "Super, und dir?", the latter was hailed by the press and readers as "the novel of her generation". She also writes regularly for ZEIT ONLINE, SPIEGEL, and many more. She has worked for stern.de, DER SPIEGEL, Mit Vergnügen, and Storymachine, among others. Kathrin Wessling lives in Berlin.
ABOUT THE WORK "I paint my pictures in my small 1-room apartment. I could also say studio or apartment; people in Berlin find that more chic, but I prefer to stick to what it is. Just like with my paintings. I paint what is. I paint who I am. I paint what I am. I paint myself.
YES and MAYBE were created after a breakup in 2022, when weekends and evenings were long and nights were dark. Painting saved my (pardon my French) ass. I painted when I was angry, when I was sad, which I was actually all the time, when I was lonely or alone, or when I was just bored. Painting evokes in me what people assume writing does for me: I lose myself completely in it; I am focused, calm, and happy. Painting is my free, wild garden after writing has become a cramped house. I can express with painting what I otherwise cannot. In this series, it is all my pain and all my anger.
These two paintings show all these emotions. But they also show the continuation, the non-giving up, when all you want to do is scream. I threw up my heart on the canvas until I could breathe again. They remind me that I carry a gift inside me. The gift of still being able to create something out of the greatest chaos, fear, and pain that makes other people feel something, that moves and cracks others up, pinches their sides a little, and says: no matter how bad it is right now, you're not alone in this."   – Kathrin Wessling
ABOUT THE EDITION Each edition is individualized by the artist herself.
ABOUT THE FRAME The frame is black ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

BUNDLE: YES & MAYBE

ALSO AVAILABLE FROM CEVIN PARKER

24-HOUR EDITION DROP I CEVIN PARKER 27-28 APRIL 6 PM CET - 6 PM CET 
Cevin Parker is an artist based in Berlin who uses colour emotionally as a constantly evolving source of inspiration in his abstract paintings. Parker is self-taught, and creativity runs in his blood as an artist. As such, he reflects his subconscious, inspired by concepts of an impulsive vision or an unexpected muse. His paintings evoke bizarre notions of abstraction and the American colour field painters of the 1950s and 1960s. The basic idea of Gerhard Richter can also be found in some of his works.
ABOUT THE WORK "A dream is a complex mixture of memories and unprocessed experiences that represent both the good and the bad within us—both the positive and the negative. Each work of art symbolizes a dream, a moment, or an unprocessed experience and represents a feeling, be it love or anger, suffering or happiness. In our dreams, we lose ourselves in the shimmering colours of Dreamland. We dream of a better world, where the green of nature comes alive again and the blue of the sky is clear and unclouded. We dream of a loved one surrounded by the warm orange and bright yellow of the sun. And we dream of special, magical moments, when the violet of the night covers the sky and the pink of the dawn announces the new day. Dreamland invites us to let ourselves fall and lose ourselves in the colours of dreaming. This allows us to feel free in the here and now and create our own world full of colours and dreams." – Cevin Parker
INDIVIDUALISATION The artist is individualising each edition by completing the painted “line” of the print with acrylic paint - making each edition unique.
ABOUT THE FRAME The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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CUTEST DREAM

24-HOUR EDITION DROP I CEVIN PARKER 27-28 APRIL 6 PM CET - 6 PM CET 
Cevin Parker is an artist based in Berlin who uses colour emotionally as a constantly evolving source of inspiration in his abstract paintings. Parker is self-taught, and creativity runs in his blood as an artist. As such, he reflects his subconscious, inspired by concepts of an impulsive vision or an unexpected muse. His paintings evoke bizarre notions of abstraction and the American colour field painters of the 1950s and 1960s. The basic idea of Gerhard Richter can also be found in some of his works.
ABOUT THE WORK "A dream is a complex mixture of memories and unprocessed experiences that represent both the good and the bad within us—both the positive and the negative. Each work of art symbolizes a dream, a moment, or an unprocessed experience and represents a feeling, be it love or anger, suffering or happiness. In our dreams, we lose ourselves in the shimmering colours of Dreamland. We dream of a better world, where the green of nature comes alive again and the blue of the sky is clear and unclouded. We dream of a loved one surrounded by the warm orange and bright yellow of the sun. And we dream of special, magical moments, when the violet of the night covers the sky and the pink of the dawn announces the new day. Dreamland invites us to let ourselves fall and lose ourselves in the colours of dreaming. This allows us to feel free in the here and now and create our own world full of colours and dreams." – Cevin Parker
INDIVIDUALISATION The artist is individualising each edition by completing the painted “line” of the print with acrylic paint - making each edition unique.
ABOUT THE FRAME The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept which allows artists to sell an unlimited amount of physical editions within the limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.
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SOFTEST DREAM

24-HOUR EDITION DROP I CEVIN PARKER 27-28 APRIL 2023 6 PM CET - 6 PM CET 
Cevin Parker is an artist based in Berlin who uses colour emotionally as a constantly evolving source of inspiration in his abstract paintings. Parker is self-taught, and creativity runs in his blood as an artist. As such, he reflects his subconscious, inspired by concepts of an impulsive vision or an unexpected muse. His paintings evoke bizarre notions of abstraction and the American colour field painters of the 1950s and 1960s. The basic idea of Gerhard Richter can also be found in some of his works.
ABOUT THE WORK "A dream is a complex mixture of memories and unprocessed experiences that represent both the good and the bad within us—both the positive and the negative. Each work of art symbolizes a dream, a moment, or an unprocessed experience and represents a feeling, be it love or anger, suffering or happiness. In our dreams, we lose ourselves in the shimmering colours of Dreamland. We dream of a better world, where the green of nature comes alive again and the blue of the sky is clear and unclouded. We dream of a loved one surrounded by the warm orange and bright yellow of the sun. And we dream of special, magical moments when the violet of the night covers the sky and the pink of the dawn announces the new day. Dreamland invites us to let ourselves fall and lose ourselves in the colours of dreaming. This allows us to feel free in the here and now and create our own world full of colours and dreams." Cevin Parker
INDIVIDUALISATION The artist is individualising each edition by completing the painted “line” of the print with acrylic paint, making each edition unique.
ABOUT THE FRAME The frame is natural ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.
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BUNDLE: CUTEST DREAM & SOFTEST DREAM

48-HOUR EDITION DROP I MATEUSZ VON MOTZ 29-31 MARCH 2023 6-6 PM CET 
Mateusz von Motz graduated from Juergen Teller's photography class in Nuremberg. He then finished his MA in sculpture at the Royal College of Art in London. While in London, he worked as a studio assistant at Juergen Teller Studio. As a young Polish artist, he has already established himself in the art world with a talent for brutal beauty. His practice often explores memories, space, and deconstruction themes and combines architectural and photographic elements. In his present practice, von Motz works across various mediums, including painting, sculpture, digital technology, and installation.
ABOUT THE WORK For his FUCK NORMAL I WANT MAGIC series, Mateusz von Motz combines text and images on mirrors. They have already become iconic.
This strategy refers, among other cultural backgrounds and phenomena, to the digital meme culture, which ties in with the popular genres and visual strategies of gaming, comics, and advertising. The artist mixes direct-address communication strategies with the mirror as a pictorial space, creating a multidimensional experience for the viewer. In this space, reality and virtuality blur together, and the subject is thrown back onto intimate, psychological levels of self-observation. Moments of introspection and transformation are presented in a multidimensional manner.
The artist incorporates Freudian (self) questioning and mythological narratives, such as that of Narcissus, to provide an ironic and empathetic commentary on an increasingly narcissistic society. This society is mirrored here in its collective numbing of the representations within social media. In this sense, von Motz ultimately confronts visitors with the choice of remaining in the dream world controlled by machines or being freed from the simulation. It is a social paradigm explored through everyday experiences and critical analysis.
ABOUT THE EDITION All 24-HOUR EDITION DROP editions come with a Certificate of Authenticity signed and numbered by the artist on the back of the print.
ABOUT THE FRAME The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 48-HOUR EDITION DROP prints are made to order. Each artwork will be produced and signed specifically for each client; therefore, the artwork is not eligible for return.

FUCK NORMAL I WANT MAGIC

24-HOUR EDITION DROP I VERA KOCHUBEY 23-24 MARCH 2023 6-6 PM CET 
Vera Kochubey produces strong black and white large-scale statement paintings where words fully dominate the canvas in addition to vivid, colorful works with repeated patterns. Born in 1986 in Russia, Kochubey relocated to Berlin in 2011. Their personal artistic methods were influenced by the New York art of Warhol, Basquiat, and Haring during the 1980s. Kochubey's works are replete with autobiographical, psychedelic, and queer content. Pop expressionism, conceptual art, pop art, and art brut.
ABOUT THE WORK "LOVE YOUR FUCKIN SELF is the essence of my life's philosophy. It’s a simple message that means the world. It’s the statement that brings you instantly to your core self. Instantly brings you integrity. A short and effective reminder of what is truly important in life. It's a unifying message for everyone—white, black, gay, or straight—that without self-love, we are nothing but monsters. Every person on earth needs to fucking love themselves. I dedicate this painting to every misfit, every weirdo, and every human."  – Vera Kochubey
ABOUT THE EDITION All 24-HOUR EDITION DROP editions come with a Certificate of Authenticity signed and numbered by the artist on the back of the print.
ABOUT THE FRAME The frame is black spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and signed specifically for each client; therefore, the artwork is not eligible for return.
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LOVE YOUR FUCKIN SELF

24-HOUR EDITION DROP I ED BRONER 7 FEBRUARY - 8 FEBRUARY 2023 6-6 PM CET 
Ed Broner is a self-taught French artist born in Paris. He began painting in the late 1980s and was a member of the Parisian graffiti subculture before relocating to Berlin to focus on painting.
Ed Broner uses photos and canvases as his personal diary. Especially in his paintings, he highlights the beauty of realness and authenticity while at the same time honoring the ideas and symbols of modern urban subcultures. In his style, he combines influences from graffiti and contemporary painting as well as from Aboriginal and African art, thus opening a dialogue between "Western" and "non-Western" cultures. In reflecting on and often subversively ironizing current aesthetics, Ed Broner asks about the nature of humanity in a postmodern world. He has published the photo book "Vagabondage" (Hatje Cantz) and has exhibited his work in solo and group shows internationally, such as at the Palais de Tokyo (2010) and Kunstforeningen Det Ny Kastet (2021).
ABOUT THE WORK "The work CROCODILES ARE HUNTING emerged in 2020 during the first COVID lockdown. It reflects on the uncertainty of the world we are living in, in which everything can change from one day to another. It can be a dangerous place. The image depicts the jungle and paradise, demonstrating that the world can be the most beautiful but also the most dangerous place. We shouldn’t take anything for granted, but we should always have hope." – Ed Broner
ABOUT THE EDITION The artist individualizes each edition himself by adding elements to the print using acrylic markers, making each edition unique.
ABOUT THE FRAME The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.
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Crocodiles Are Hunting

24-HOUR EDITION DROP I VRENI FROST 31 JANUARY - 1 FEBRUARY 2023 6-6 PM CET 
If you could only use one word to describe Vreni Frost, it would probably be: COLORFUL. The presenter, author, and speaker not only knows how to breathe life into words, she also brings paper and canvas to life. She made her debut as an artist in 2021 at the renowned HVW8 Art + Design Gallery (Berlin/Los Angeles) with her FACES series. This was followed in 2022 by, among other things, her first solo exhibition at Berlin Art Week, a charity auction at Christie's on the occasion of the Millerntor Gallery in Hamburg, and a collaboration with the chocolate manufacturer Sawade. Art and painting have accompanied Vreni since early childhood, especially body parts such as eyes, mouths, and hands, which constantly appear in her works. Even animals regularly find their place on the canvas.
ABOUT THE WORK CHAN(N)ELING MY INNER COCO is one of the first works from the CATSULE COLLECTION series. The CATSULE COLLECTION shows the undivided love for cats in combination with the love-hate relationship with fashion and the constant struggle with or against consumption to which the artist is exposed daily. Viewed differently, the images of the series are all also to be understood as self-portraits.
ABOUT THE EDITION The artist individualizes each edition herself by adding pieces of jewelry in acrylic paint to the cat, making each edition unique.
ABOUT THE FRAME The frame is black spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 27.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.
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CHAN(N)ELING MY INNER COCO

24-HOUR EDITION DROP I KYTE TATT 26-27 JANUARY 2023 6-6 PM CET 
Kyte Tatt's current focus is his Gardens of Liberty collection, in which his raw and gestural marks and splashes of color can be described as part abstract, part impressionist, part rough, and part gentle. Look once and you find violent brushstrokes and broad movements; look again and you find poetry. His spectrum of media includes acrylic, house paint, charcoal, graphite, soft pastels, and even coffee. Kyte Tatt hopes to remind and reconnect the viewer to nature by showing its power and diversity in a strong yet delicate visual language.
ABOUT THE WORK "THE GARDENS OF LIBERTY collection is a series that I have been working on since 2019. Longing for the gardens I once created and dwelled in before moving to Berlin, this series has been my solace in the city. It is a sort of Shangri-La where the flowers are always in bloom and freedom reigns supreme. DEJLIG roughly translated from Danish, means delightful, lovely, beautiful, and delicious. Oversized abstract flowers beckon the viewer in. A delicate balance of chaos and order; expressive and energetic marks reflect nature's immediacy and power." <meta charset="utf-8">– Kyte Tatt 
ABOUT THE EDITION The artist individualizes each edition by adding elements in acrylic paint to the border of the print, making each edition unique.
ABOUT THE FRAME The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 83 cm; 24.8 x 19.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.
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DEJLIG

The series SEARCHING STILL by Aaron Penne observes elusive and intangible sensations such as the feeling of a memory, a longing or a search. The artist strikes a balance between the machine and the human touch, creating fluid, painterly forms from hard-edge digital artifacts. Created on a Raspberry Pi using Python code, selected carefully by the artist from more than 800 outputs.
Penne draws parallels with early abstract artworks by Hilma af Klimt, whose compositions originated from a place of divination. In her work, the artist almost acted as a spiritual medium, opening herself to the influence of unseen forces and creating surprising compositions for their own sake.
This is not unlike the trust that generative artists put in their pseudorandom number generators. Artists creating abstract work using generative techniques gather their tools, open their minds, and let chance drive the composition. The visual language in SEARCHING STILL carries forward from abstract art, but there is also a conceptual lineage of intentionally opening oneself to infinite possibilities.
ABOUT THE 72-HOUR LIMITED PRINT EDITION The edition is available 25-28 January, 7.30-7.30 PM CET. The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. This TIME-LIMITED PRINT EDITION is authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

SEARCHING STILL [GLASS]

24-HOUR EDITION DROP I KATIE BENN 20-21 DECEMBER 2022 6-6 PM CET 
Katie Benn is a multidisciplinary artist from San Francisco. Although her roots are in the Bay Area, since late 2020, she has set up her home and art studio in Southern Oregon. Inspired by all things goofy and mysterious, her personal dreamwork, and the general absurdity of being alive, she explores themes relating to the human condition and her inner world.
ABOUT THE WORK "AD ASTRA PER ASPERA, an old saying in Latin meaning 'To the stars, through difficulties,' is the text within my piece, as is the title. Employing free association, oil pastel, and graphite on paper, this is a portrait of a person finding their true north and moving in the direction of their highest desires despite the challenges of Earth, its gravity, and the fear of the unknown. I believe that following one's inner path, which may appear confusing or foolish to others, is the loveliest way to be alive." – Katie Benn
ABOUT THE EDITION The artist individualizes each edition with the words PER ASPERA in graphite underneath AD ASTRA which is part of the printed oil pastel drawing.
ABOUT THE FRAME The frame is white spruce wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24.8 x 16.9 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

Ad Astra

24-HOUR EDITION DROP I JACK WINTHROP 15-16 DECEMBER 2022 6 PM CET - 6 PM CET
Jack Winthrop is an accomplished artist from Minneapolis, Minnesota (born July 26th, 1989) who recently moved to Los Angeles after living and working in New York City for a decade. When he was developing his style as a child, drawing and creating were like breathing. Almost involuntary. Winthrop’s curiosity drove him and his diligence to create new things on a daily basis.
 Winthrop mostly paints large-scale paintings on canvas. Manoeuvring between an eclectic range of styles and subjects, he challenges the conventional and explores the boundaries between fine art and subculture or street culture. By breaking down the human form, he creates work appealing like a mirror that transcends the filter we perceive as ourselves.
ABOUT THE WORK PEACE arose from the techniques Jack Winthrop learned from drawing, painting, and creating throughout his life by dissecting and dissolving them through abstraction. Winthrop deploys refined and sophisticated judgments through form, color, composition, balance, tension, and aesthetic, which he attributes to his education in the field of design. Peace is the translation and transformation of the artist’s engrossment towards the human condition, which he visualizes in his works.
ABOUT THE EDITION The artist signs and hand-finishes each edition by adding a surprise-drawing to his signature.
ABOUT THE FRAME The frame is black lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 83 x 63 cm; 32.7 x 24.8 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited amount of physical editions within a limited time frame of 24 hours on EXPANDED.ART. Each 24-HOUR EDITION DROP edition will be available for 24 hours only, then never again.
ABOUT THE EDITION NUMBER The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork will be produced and personalized specifically for each client, the artwork therefore is not eligible for return.

Peace

"This is one of my favorite works to date. I wanted to shape a mysterious, ineffable sense of falling through an abstract and blurred figurative environment, driven by emotionally overwhelming and profound memories, like an emotional story that everyone has experienced. And how each of us, as individuals, controls our sensual power. I try to use different textures to distinguish the front and rear relationships and to satisfy the overall compositional relationship in the picture. "Finding balance in imbalance and retaining calm in dynamics" is the height of content and technique I want to achieve in this work." – Ruohan Wang
ABOUT THE EDITION Each edition is signed, numbered, and individualized by the artist with a handwritten, customer-specific sentence on the print relating to the artwork. Collectors can complete the sentence "[your word 1] is in the pool of [your word 2]" with their own personal two words and see them on the edition: "Florian is in the pool of art", "Emily is in the pool of love", "RHW is in the pool of ideas". 
HOW TO Complete the sentence "[your word 1] is in the pool of [your word 2]". Write your two words, completing the sentence, in the ORDER NOTE field in your shopping cart on misa.art. 
Disclaimer: Please note that your ORDER NOTE should not be longer than these two words. If you decide to leave the ORDER NOTE field empty, you will receive a print without individualization. Please be aware that the artist will follow your exact spelling, including any typos you may make. We regret that later corrections or requests regarding the sentence cannot be accepted.
ABOUT THE FRAME The frame is white lacquered ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 16 3/4 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR PHYSICAL DROP is a concept that allows artists to sell an unlimited amount of physical editions within a limited timeframe of 24 hours. Each 24-HOUR PHYSICAL DROP edition will be available for 24 hours only, then never again.
The editions are numbered randomly, i.e., the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR PHYSICAL DROP prints are made to order. Each artwork will be produced and personalized specifically for each client; therefore, the artwork is not eligible for return.

The Bait

"To me, this painting is a playful reminder to seize the day and to make something cool and creative. The storm in the background is like a tailwind. The girl in the image looks like she is on the fast lane anyway. The tattoo that is added to each edition is something that I actually do each day when I come to the studio: I draw a cross in my sketch book. It is like meditation and helps me focus on the creative work." – Pascal Möhlmann The Dutch painter Pascal Möhlmann adores Van Dyck and collaborates with Virgil Abloh. He calls his style New Beauty with Punk Rock Attitude because he turns away from cynicism and irony. "I learned a language from the old masters and brought it into the present. I paint what is now," Möhlmann says. ABOUT THE EDITION Each edition is individualized by the artist himself by hand painting the girl's arm tattoo and the cross individually on each print. 
ABOUT THE FRAME The frame is white-glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 cm x 43 cm; 24 3/4 x 17 in.
ABOUT THE 25-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within a limited timeframe of 24 hours. Each edition is available for 24 hours only, then never again. The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Faster, 2022

INFO: For the SUMMER ARCHIVE SPECIAL, we make the remaining 11 APs available from the past 24-Hour Edition Drop with Paul Schrader: signed, numbered, and individualized by the artist in 2022.  The work TIME by Paul Schrader follows on from the large-scale works LIGHT and TOO MUCH CANDY from 2020 and is composed primarily of the colors yellow and red. The background consisting of spray paint is reminiscent of the graffiti of the early 90s. Like an infinito, the paint application on the right side is partially hidden by the background again, so the background suddenly comes to the foreground, especially at the edges of the color. The fine color nuances merge at closer look into delicate tones like poetry. Out of yellow and red a delicate orange tone emerges in hundreds of shades. The red and white blend into a berry hue. Through the interlocking of the individual colors create a rush like a melody in music.
"I love the sensual approach to art, the worlds of color and their composition on the canvas. Although the moment of movement has long since passed, the movement has an effect right into the now and yet is frozen on the canvas, in a time capsule. Fine nuances of color merge on closer inspection into delicate Tonë like poetry. From yellow and blue, for example, a delicate shade of green can emerge in hundreds of nuances. Red and blue can blend into an intense violet. These intermediate areas fascinate me. Through the interlocking of the individual colors and their composition on the canvas creates an intoxication like a melody in music.
Colors and shapes can create a feeling in the viewer like magic. And through the view, a relationship is created for a moment between the work of art and the viewer, detached from theories and reality, for the one moment a feeling arises, which may change the viewer."  – Paul Schrader
ABOUT THE EDITION Each edition is individualized by Paul Schrader himself, by spray-painting a finish on the corner of the work.
ABOUT THE FRAME The frame is white glazed ayous wood with acrylic glass that has 84% UV protection. Framed dimensions are 63 x 43 cm; 24 3/4 x 17 3/4 in.
ABOUT THE 24-HOUR EDITION DROP The 24-HOUR EDITION DROP is a concept that allows artists to sell an unlimited number of physical editions within the limited timeframe of 24 hours. Each edition is available for 24 hours only, then never again. 
The editions are numbered randomly; the edition number is not chronologically assigned to the time of order receipt. All 24-HOUR EDITION DROP prints are made to order. Each artwork is produced and personalized specifically for each client. The artwork, therefore, is not eligible for return.

Time, 2022

Style

<h3>About the Work</h3>
Original Text in German: Dumet malt hauptsächlich mit Öl auf Leinwand, verwendet aber auch andere Techniken wie Gouache-bemaltes Papier, das auf die Leinwand geklebt wird. Sie ist dafür bekannt, impulsiv zu malen, mit einem starken Gefühl für Fluss und ohne Zwang. Das Ergebnis ist eine erhabene, faszinierende Verwendung von Farbe und abstrakter Form, die ständig mit der Figuration interagiert. Anstatt sich nur auf Details zu konzentrieren, schafft sie eine minimalistische Darstellung dessen, was sie sieht, und versteht das Thema, ohne zu versuchen Formen über Farben zu korrigieren. Ihre Motive wie Essen, Tiere, Landschaften und Porträts sind zeitgenössisch, aber zeitlos. Obwohl die Auflage eine unbestimmte Anzahl von Exemplaren erreichen kann, verleiht Dumet jedem Druck einen einzigartigen Charakter indem sie es handsigniert und mit individuellen Details versieht. Gleichzeitig mit den eingehenden Bestellungen bemalt und signiert sie jede der Editionen und schafft so eine Performance. Die Edition basiert auf Dumets Werkreihe LES PETITS OBJETS DU DÉSIR (englisch: SMALL OBJECTS OF DESIRE). In Anlehnung an den französischen Ausdruck „se retrouver autour d‘une bonne bouteille“ (sich zu treffen bei einer guten Flasche) dient eine Flasche Alkohol als Ausgangspunkt für die Arbeiten aus der Serie. Für Dumet werden solche geselligen Zusammenkünfte immer von einem guten Wein oder einem Kaffee und einer Zigarette begleitet – ihre persönlichen „Objekte der Begierde“.

La petite bière bien fraîche, 2021

PAST TIME-LIMITED OPEN EDITION DROPS

The TIME-LIMITED OPEN EDITION DROP is a concept which allows artists to sell an unlimited number of physical editions within a limited timeframe on EXPANDED.ART. For example, each 24-HOUR EDITION DROP will be available for 24 hours only, then never again. The TIME-LIMITED OPEN EDITION DROPS are signed and numbered by the artist.

Herbert W. Franke

HISTORICAL EDITION

Herbert W Franke: MATH ART FRAKTAL

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

MORE FROM THIS ARTIST

"The line is extremely intriguing to me. Actually, rock paintings are where art begins. The line is straightforward. There is a beginning and an end point. What occurs in the meantime is entirely up to chance. I assert that there is a line universe. It's a distinct, limitless universe." – Hans Dehlinger 
 ABOUT PLOTTER DRAWINGS Plotter drawings are line drawings. A mechanical drawing machine, the plotter, is controlled and driven by a computer program. The drawing pen clamped into the machine moves across the paper and draws, almost like a mechanical hand. Simply put, this hand responds to three commands: lift the pen, place the pen on the paper, and move the pen. When the move pen command meets the pen is down situation, a stroke is created.

GA 99 MILANO

Known as a universal genius, Herbert W. Franke (1927-2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the Metaverse, and science-fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of Pop Art. 
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke mathematics are the essence of visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections, until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.
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Math Art Fraktal

Known as a universal genius, Herbert W. Franke (1927-2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the Metaverse, and science-fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of Pop Art. 
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke mathematics are the essence of visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections, until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.
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Math Art Komet

Known as a universal genius, Herbert W. Franke (1927–2022) is the forefather of computer art, co-founder of Ars Electronica, mastermind of the metaverse, and science fiction writer. He spent his entire career bridging the worlds of art and science.
EXPANDED.ART represents the estate of Herbert W. Franke. 
ABOUT MATH ART In 1980, Herbert W. Franke began a fifteen-year collaboration with programmer Horst Helbig at the German Aerospace Center. Together, they studied mathematical disciplines in relation to aesthetics. The series MATH ART is the output of their research at the intersection of science and art. It reveals a universe of numbers transformed into images through a variety of shapes and colors reminiscent of pop art.
Throughout his entire life, Herbert W. Franke used mathematical principles for art experimentation. From the very beginning, it was clear to him that it is the artist's mission to examine new technologies and their social significance through the lens of their creative potential. For Herbert W. Franke, mathematics is the essence of the visual arts. While he saw the artist as an analytical maker using mathematics to create structures, he assigned the computer the task of modulating these principles of order through varying random processes. Franke, therefore, considered the computer as a creative partner for the artist very early on.
The color served to code certain structural elements and was of fundamental importance. The computer system at DLR in Oberpfaffenhofen, which was powerful at the time, had integrated output equipment with which the digitally developed image worlds were transferred directly to high-resolution photo film. On his own DOS PC, Franke created the preparatory work for the captivatingly vivid aesthetics of this mathematical investigation.
In the beginning, there were algebraic formulas for three-dimensional spatial areas: The three dimensions were converted into two-dimensional landscapes, whereby the "contour lines," i.e., the z-axis of the room, were color-coded with specially developed color grids. Starting with algebraic landscapes, the two worked their way through a wide variety of disciplines via wave functions, Fourier transformations, broken dimensions, and logical connections until they finally visualized complex and irrational numbers as well as random processes and logical connections with their method.
ABOUT EXPANDED.ART's HISTORICAL EDITIONS EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Math Art Vintage Print

DRAKULA stands for Dragon Curves Superimposed (German: Drachenkurven überlagert). The dragon curve is a fractal object. The basic idea was first explored by NASA physicists John Heighway, Bruce Banks, and William Harter and described by Martin Gardner in his 1967 Mathematical Games column in Scientific American. However, the mathematical theory for this was not developed until 1970 by the mathematician Chandler Davis and the computer scientist Donald Knuth.

Dragon curves are created by sequences of left and right turns according to certain rules. The program allows dragon curves of different orders – or sections of them – to be lined up and superimposed. Left and right turns were not only represented in the usual way by right-angled bends but also by mathematically defined elements, such as triangles or curved sections of curves with multiple curves. These elements were designed in such a way that when they are superimposed, clearly recognizable new form elements are created through overlaps and attachments. The superimposition of closed curves in different colors is particularly attractive. The dragon curves were also interesting for Franke as an object of experimental aesthetics and for his studies on information psychology, since here the rare case of an easy possibility of specifying their statistical information (complexity) occurs; this is equal to the number of 0,1 indications used to construct it.

Franke also overlaid dragon curves – mostly mirrored – and not only used straight lines as individual elements but also other shapes, such as semicircles or triangles, as basic elements.

The pictures of DRAKULA were made with a Siemens System 4004. The Fortran program was written by Peter Henne from the Gesellschaft für Datenverarbeitung GMD according to detailed specifications from Franke. The plots were realized by Peter Vordermaier at Siemens AG. A complete printout of the program is available. 
 
ABOUT EXPANDED.ART'S HISTORICAL EDITIONS

EXPANDED.ART’s Historical Editions are artistically influential works by pioneers of digital art from the 20th century. By representing estates, EXPANDED.ART ensures the legacy of both artists and artworks and recontextualizes them for a new audience.

Drakula Vintage Print

Edition

Crayon Country

Herbert W. Franke is a universal genius, you can say that with a clear conscience. For several decades he separated three lives: he was the caver and scientist, the artist and curator, the art theorist and the science fiction author. Only on the occasion his solo exhibition in 2010 at the ZKM Karlsruhe did he bring these three lives and careers together under the title "Wanderer Between the Worlds". In the early 1950s caving led him to experiment with light and technology. He kept his curiosity throughout his life; it was his drive to examine new technologies for their artistic potential. His pioneering spirit made him one of the first computer artists who was more than six decades ahead of his time. Franke discussed his visionary practice with Anika Meier in June 2022.

INTERVIEW WITH HERBERT W. FRANKE

"TECHNOLOGY IS NOT A THREAT TO ART"

"Many of the early pioneers did not dare call their work art and instead categorized it as design. But I just had nothing to lose. And I was also convinced that I was on the right track of knowledge." – Herbert W Franke

MANUEL ROSSNER LINE DRAWINGS

LIMITED EDITION

Manuel Rossner: LINE DRAWINGS

DANIEL GEBHART DE KOEKKOEK

Daniel Gebhart de Koekkoek: DOGGYSTYLE

GOLD FUTURES by James Bloom (Crashblossom) are three distinct digital visions presented in a physical paper format. Each one provides a different flavour of digital enticement. They contain glimpses of figurative scenes, but with digital iconography mixed in. They are flat yet also 3-dimensional. They are abstracted from reality but have a vivid presence. These printed images assert their digitalness.
Like the dynamic blockchain art series GOLD they derive from, the artworks have bright and optimistic palettes, reflecting how the digital world is often presented to attract us. They are composed from web clipart libraries, common 2D icons used in interface design or corporate presentations. This imagery is extruded into 3D, saved out as flat 2D again, then composed together on-the-fly with dynamic code, which also introduces randomness. Single snapshots in time are chosen by the artist.
With GOLD FUTURES, the artist explores how digital media present an optimistic vision to entice us to engage. But he is not negative about technology, instead asserting its importance to art in an age where we are surrounded by the digital. Bloom believes the digital and physical are simply the same thing—the world itself—expressed through different modes of representation.

Gold Futures 1

Gold Futures 2

Gold Futures 3

LIMITED EDITION: JAMES BLOOM (CRASHBLOSSOM) | GOLD FUTURES

"I am a writer. As students, we ran the first print peer-reviewed magazine for the history of art. It later turned into a blog. We won prizes.
Social media killed art criticism.
Readers mainly respond to headlines and quotes on social media. At best, it‘s a lively exchange of thoughts, experiences, knowledge, and opinions.
In 2022, I started tweeting thoughts and questions that, in a different world, I would have turned more often into texts.
As a writer would do, I now present these thoughts and questions, written by hand on a beautiful piece of paper.
The first 5 editions of "tweets from twitter" are the tweets from myself that got the most responses and, at the same time, are a document of a moment in history: the age of Post-NFTism.
Signed. Anika Meier
P.S. Thank you for the lively discussions on Twitter."<quillbot-extension-portal></quillbot-extension-portal>

ANIKA MEIER | TWEETS FROM TWITTER

ARTIST 

The Text Is The Message (TWEETS FROM TWITTER)

I Might Know This Curator (TWEETS FROM TWITTER)

Social Media Killed Art Criticism!!! (TWEETS FROM TWITTER)

Does A JPEG Have an Aura? (TWEETS FROM TWITTER)

LIMITED EDITION: ANIKA MEIER | TWEETS FROM TWITTER

A CHILD’S MACHIAVELLI by Claudia Hart was initially written and illustrated by the artist in 1995, inspired by Niccolo Machiavelli’s Renaissance treatise, THE PRINCE, the first book of political philosophy. Hart’s version began as a series of oil paintings and a small catalog, produced by the Realismus Studio, at the Neue Gesellschaft für Bildende Kunst, Berlin in 1995.
The catalog was eventually released as an expanded hardcover by Penguin USA in 1998, along with German and French editions.
While keeping to the meaning of the original, Hart rewrote THE PRINCE, reflecting street values and the voice of youth culture, as if Machiavelli’s book, meant to advise kings on seizing power, was a primer to teach good manners to small children.
"We are obviously in a period of cultural crisis, with the world slipping into autocracies, war in the Ukraine, and democracy dramatically destabilized in the USA. Social media is used to spread misinformation and engender fear and terror in order to manipulate the populace.
The little mottos that I wrote in the early nineties are more relevant now than ever. They seem to be pointedly directed at the cultural and political world of today. Yet when I wrote them, I felt that I was translating Machiavelli’s early 16th-century text into the politics of that time."
– Claudia Hart, June 2023
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CLAUDIA HART | A CHILD'S MACHIAVELLI | EDITIONS

A CHILD’S MACHIAVELLI: THE BEGINNING A CHILD’S MACHIAVELLI was initially written and illustrated by Claudia Hart in 1995. It was inspired by Niccolo Machiavelli’s Renaissance treatise, THE PRINCE, the first book of political philosophy. Hart’s version began as a series of oil paintings and a small catalog, produced by the Realismus Studio at the Neue Gesellschaft für Bildende Kunst, Berlin.
A CHILD'S MACHIAVELLI: THE BOOK In the bookstore of NGBK, Hart fell in love with Comix, a back then radical form of comic books that filled one of their shelves. She read them, fascinated. There was no such thing as a graphic novel in those days. MAUS by Art Spiegelman, the Comix masterpiece, had just been released. Hart would stand around the NGBK bookstore, reading MAUS and other related works.
"I was a figurative artist interested in historical paintings, not comic books. Nevertheless, I was inspired," Hart says.
Her response was A CHILD'S MACHIAVELLI, born as a series of 31 oil paintings, where she rewrote the Renaissance treatise by Niccolo Machiavelli as a children’s book, speaking in the youth-speak of her time. She was reflecting on the real estate and cultural war taking place in the early 1990s in Berlin. Her aphorisms focused on the workings of power. But the strategy was the same as for all of the other works she has produced since the beginning: text combined with images. It is a series of aphorisms in an illustrated book that does not need to be read in order. Each painting was a unique piece that could be combined in any order. The book has proven prescient, prefiguring the brutal tenor of contemporary US public discourse.
WORLDWIDE RECOGNITION The catalog was eventually released as an expanded hardcover by Penguin Edition USA in 1998. In addition, there was a Nautilus Edition German version published in 1996, and an Abbeville Press French edition published in 1998. At that time, Hart reinterpreted the oil paintings to produce the series of gouache paintings on paper exhibited at EXPANDED.ART.
Hart’s approach was typical of the 1990s art world. Mimicking the visuals of a picture book, she appropriated 1920s children’s illustrations known for their sugary sweetness. The irony and twisted humor of A CHILD’S MACHIAVELLI are derived from its combination of opposites: the saccharine speech of kid’s books and the unvarnished reality of American politics. The book went out of print in 2000 but continues to be traded on the second-hand book market.
In 2019, Beatrice Books, a small experimental publisher, reissued A CHILD’S MACHIAVELLI as a more contemporary book. At that time, Hart discovered among her files a series of Flash animations created for an ebook, the early 21st-century digital format that had long since disappeared, initiated by the production company Flicker Labs in 2010.
CLAUDIA HART ABOUT A CHILD’S MACHIAVELLI "We are obviously in a period of cultural crisis, with the world slipping into autocracies, war in the Ukraine, and democracy dramatically destabilized in the USA. Social media is used to spread misinformation and engender fear and terror in order to manipulate the populace.
The little mottos that I wrote in the early nineties are more relevant now than ever. They seem to be pointedly directed at the cultural and political world of today. Yet when I wrote them, I felt that I was translating Machiavelli’s early 16th-century text into the politics of that time."
– Claudia Hart, June 2023
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If somebody’s got to hate you, make sure its a bunch of weaklings with no money

A CHILD’S MACHIAVELLI: THE BEGINNING A CHILD’S MACHIAVELLI was initially written and illustrated by Claudia Hart in 1995. It was inspired by Niccolo Machiavelli’s Renaissance treatise, THE PRINCE, the first book of political philosophy. Hart’s version began as a series of oil paintings and a small catalog, produced by the Realismus Studio at the Neue Gesellschaft für Bildende Kunst, Berlin.
A CHILD'S MACHIAVELLI: THE BOOK In the bookstore of NGBK, Hart fell in love with Comix, a back then radical form of comic books that filled one of their shelves. She read them, fascinated. There was no such thing as a graphic novel in those days. MAUS by Art Spiegelman, the Comix masterpiece, had just been released. Hart would stand around the NGBK bookstore, reading MAUS and other related works.
"I was a figurative artist interested in historical paintings, not comic books. Nevertheless, I was inspired," Hart says.
Her response was A CHILD'S MACHIAVELLI, born as a series of 31 oil paintings, where she rewrote the Renaissance treatise by Niccolo Machiavelli as a children’s book, speaking in the youth-speak of her time. She was reflecting on the real estate and cultural war taking place in the early 1990s in Berlin. Her aphorisms focused on the workings of power. But the strategy was the same as for all of the other works she has produced since the beginning: text combined with images. It is a series of aphorisms in an illustrated book that does not need to be read in order. Each painting was a unique piece that could be combined in any order. The book has proven prescient, prefiguring the brutal tenor of contemporary US public discourse.
WORLDWIDE RECOGNITION The catalog was eventually released as an expanded hardcover by Penguin Edition USA in 1998. In addition, there was a Nautilus Edition German version published in 1996, and an Abbeville Press French edition published in 1998. At that time, Hart reinterpreted the oil paintings to produce the series of gouache paintings on paper exhibited at EXPANDED.ART.
Hart’s approach was typical of the 1990s art world. Mimicking the visuals of a picture book, she appropriated 1920s children’s illustrations known for their sugary sweetness. The irony and twisted humor of A CHILD’S MACHIAVELLI are derived from its combination of opposites: the saccharine speech of kid’s books and the unvarnished reality of American politics. The book went out of print in 2000 but continues to be traded on the second-hand book market.
In 2019, Beatrice Books, a small experimental publisher, reissued A CHILD’S MACHIAVELLI as a more contemporary book. At that time, Hart discovered among her files a series of Flash animations created for an ebook, the early 21st-century digital format that had long since disappeared, initiated by the production company Flicker Labs in 2010.
CLAUDIA HART ABOUT A CHILD’S MACHIAVELLI "We are obviously in a period of cultural crisis, with the world slipping into autocracies, war in the Ukraine, and democracy dramatically destabilized in the USA. Social media is used to spread misinformation and engender fear and terror in order to manipulate the populace.
The little mottos that I wrote in the early nineties are more relevant now than ever. They seem to be pointedly directed at the cultural and political world of today. Yet when I wrote them, I felt that I was translating Machiavelli’s early 16th-century text into the politics of that time."
– Claudia Hart, June 2023
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Have five best friends that you let tell what they really think, but only when you ask

A CHILD’S MACHIAVELLI: THE BEGINNING A CHILD’S MACHIAVELLI was initially written and illustrated by Claudia Hart in 1995. It was inspired by Niccolo Machiavelli’s Renaissance treatise, THE PRINCE, the first book of political philosophy. Hart’s version began as a series of oil paintings and a small catalog, produced by the Realismus Studio at the Neue Gesellschaft für Bildende Kunst, Berlin.
A CHILD'S MACHIAVELLI: THE BOOK In the bookstore of NGBK, Hart fell in love with Comix, a back then radical form of comic books that filled one of their shelves. She read them, fascinated. There was no such thing as a graphic novel in those days. MAUS by Art Spiegelman, the Comix masterpiece, had just been released. Hart would stand around the NGBK bookstore, reading MAUS and other related works.
"I was a figurative artist interested in historical paintings, not comic books. Nevertheless, I was inspired," Hart says.
Her response was A CHILD'S MACHIAVELLI, born as a series of 31 oil paintings, where she rewrote the Renaissance treatise by Niccolo Machiavelli as a children’s book, speaking in the youth-speak of her time. She was reflecting on the real estate and cultural war taking place in the early 1990s in Berlin. Her aphorisms focused on the workings of power. But the strategy was the same as for all of the other works she has produced since the beginning: text combined with images. It is a series of aphorisms in an illustrated book that does not need to be read in order. Each painting was a unique piece that could be combined in any order. The book has proven prescient, prefiguring the brutal tenor of contemporary US public discourse.
WORLDWIDE RECOGNITION The catalog was eventually released as an expanded hardcover by Penguin Edition USA in 1998. In addition, there was a Nautilus Edition German version published in 1996, and an Abbeville Press French edition published in 1998. At that time, Hart reinterpreted the oil paintings to produce the series of gouache paintings on paper exhibited at EXPANDED.ART.
Hart’s approach was typical of the 1990s art world. Mimicking the visuals of a picture book, she appropriated 1920s children’s illustrations known for their sugary sweetness. The irony and twisted humor of A CHILD’S MACHIAVELLI are derived from its combination of opposites: the saccharine speech of kid’s books and the unvarnished reality of American politics. The book went out of print in 2000 but continues to be traded on the second-hand book market.
In 2019, Beatrice Books, a small experimental publisher, reissued A CHILD’S MACHIAVELLI as a more contemporary book. At that time, Hart discovered among her files a series of Flash animations created for an ebook, the early 21st-century digital format that had long since disappeared, initiated by the production company Flicker Labs in 2010.
CLAUDIA HART ABOUT A CHILD’S MACHIAVELLI "We are obviously in a period of cultural crisis, with the world slipping into autocracies, war in the Ukraine, and democracy dramatically destabilized in the USA. Social media is used to spread misinformation and engender fear and terror in order to manipulate the populace.
The little mottos that I wrote in the early nineties are more relevant now than ever. They seem to be pointedly directed at the cultural and political world of today. Yet when I wrote them, I felt that I was translating Machiavelli’s early 16th-century text into the politics of that time."
– Claudia Hart, June 2023
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Only give things away when people are watching

If you Wanna give presents to people, make sure its other people’s stuff

LIMITED EDITION: CLAUDIA HART | A CHILD'S MACHIAVELLI

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Bruno (DOGGYSTYLE)

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Bertha (DOGGYSTYLE)

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Ragna (DOGGYSTYLE)

Limo (DOGGYSTYLE)

DOGGYSTYLE is not only the name of the legendary debut album by American rapper Snoop Doggy Dogg, it is also the title of this limited edition by Daniel Gebhart de Koekkoek. Featuring dogs with style.
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

Pan (DOGGYSTYLE)

Sam (DOGGYSTYLE)

72-HOUR EDITION DROP | DANIEL GEBHART DE KOEKKOEK

22-25 NOVEMBER 2023 | 6-6 PM CET

DANIEL GEBHART DE KOEKKOEK: AMOR & DOTTIE 

LIMITED EDITION: DANIEL GEBHART DE KOEKKOEK | DOGGYSTYLE

JOACHIM BOSSE | SELECTED FRAMES

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SELECTED FRAMES by Joachim Bosse are an observation and portray of the peer groups and phenomena that surround him as a chronicler of his time. He writes about oat milk and NFTs, Arcteryx and pottery classes, marketing meetings and the Metaverse, crypto and keynote, Slack and Balenciaga, Tulum and Taxi-50-Euro, high potentials and vegetarian ham picks, yoga retreats and life coaches. And there is also a bit of sustainability. With a discount code.
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Yoga Lehrerin

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<div class="sc-jDfIjF fXxaeh">SELECTED FRAMES by Joachim Bosse are an observation and portray of the peer groups and phenomena that surround him as a chronicler of his time. He writes about oat milk and NFTs, Arcteryx and pottery classes, marketing meetings and the Metaverse, crypto and keynote, Slack and Balenciaga, Tulum and Taxi-50-Euro, high potentials and vegetarian ham picks, yoga retreats and life coaches. And there is also a bit of sustainability. With a discount code.</div>
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Cape Town

Authentizität

Running App

LIMITED EDITION: JOACHIM BOSSE | SELECTED FRAMES

Line Drawing S1

LIMITED EDITION: MANUELL ROSSNER | PLOTTER DRAWINGS

In celebration of youth culture and coming-of-age tropes, "NO, DON'T DISAPPEAR [WM-2]" from Skye Nicolas' Walkman series elevates portable music devices such as the Sony Walkman as cerebral or dematerialized readymades: conceptual digital representations of physical objects contextualized as digital artifacts containing data.
The series typifies Nicolas<meta charset="utf-8">' pixel paintings in which remixed images are reduced to their essential structure, the outline. Graphic elements are streamlined into nebulous shimmering pixels that dance across the contrasting dark background of the digital canvas. Declarative statements glide across the screen (often lifted from 1980’s and 1990’s era song lyrics), serve as both internal dialogue and a crucial visual detail to complete the digital painting’s overall composition. The result of this process of reduction and layered storytelling is a visually poetic distillation in which the viewer finds themselves occupying; an intangible dreamscape atmosphere arousing an induced nostalgia that seduces and captivates the senses.
ABOUT THE NFT 
Collectors purchase the physical edition on EXPANDED.ART. The artist mints the NFT on Tezos and sends it via Airdrop to the collector’s wallet. 
ABOUT THE EDITION NUMBER
The editions are numbered randomly, i.e. the edition number is not chronologically assigned to the time of order receipt. All LIMITED EDITIONS are authenticated with a Certificate of Authenticity signed and numbered by the artist on the back of the print.

NO, DON’T DISAPPEAR [WM-2]

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